Centre for Scandinavian Studies
Aberdeen has the largest concentration of experts on early Scandinavia in the British Isles.
Celtic & Anglo-Saxon Studies and English at Aberdeen adds to a fascinating study of the lives and legacy of the Celtic, Anglo-Saxon, and Scandinavian peoples. In this programme, you will explore English language and literature through the ages and in all its glory, at a leading centre ranked second in the UK for the quality of our research. You will graduate with wide career options across the arts and skills transferable whichever direction you choose.
Aberdeen has been a centre for Celtic studies for more than a century and is now a leading research centre in all aspects of the northern polar regions including its peoples. You will study literature, culture, history and languages, inspired by leading specialists in the history and literature of Britain, Ireland and Scandinavia in the Middle Ages, in medieval Celtic and Scandinavian literature, and the cultural history of Ireland and Anglo-Saxon England.
English gives you all the advantages of a highly-rated teaching, research and creative hub, where you will explore poetry and prose through the dynamic relationship between author, reader and literary text, study every period from Chaucer to contemporary English, Scottish, Irish, European and American writers and examine the cultural and critical impact of powerful and controversial modern works.
You will be inspired by enthusiastic teachers and researchers, themselves acclaimed authors and poets, and be encouraged to develop your own creative writing skills.
This subject combination gives you essential skills in critical thinking, core writing, research, communication and other attributes which will make you attractive to employers whatever your career choice. Our graduates work in a wide variety of areas in the arts and elsewhere, including heritage management, teaching, publishing, research, librarianship, enterprise and broadcasting.
This compulsory evaluation is designed to find out if your academic writing is of a sufficient standard to enable you to succeed at university and, if you need it, to provide support to improve. It is completed on-line via MyAberdeen with clear instructions to guide you through it. If you pass the evaluation at the first assessment it will not take much of your time. If you do not, you will be provided with resources to help you improve. This evaluation does not carry credits but if you do not complete it this will be recorded on your degree transcript.
This course, which is prescribed for level 1 undergraduate students (and articulating students who are in their first year at the University), is studied entirely online, takes approximately 5-6 hours to complete and can be taken in one sitting, or spread across a number of weeks.
Topics include orientation overview, equality and diversity, health, safety and cyber security and how to make the most of your time at university in relation to careers and employability.
Successful completion of this course will be recorded on your Enhanced Transcript as ‘Achieved’.
15 Credit Points
This course introduces the oldest vernacular literature of Ireland, Scotland, Wales and England, beginning in the sixth century AD. We explore heroic narratives featuring, for example, the Scandinavian monster-fighter Beowulf (immortalized in England’s first epic poem), the Irish warrior Cú Chulainn (hero of the Táin) and the tragic Welsh princess Branwen, caught up in a fatal power-struggle between Wales and Ireland. We examine praise-poetry, meditative poetry, and look at mythological tales about the old gods and voyages to Otherworld isles in the western ocean.
15 Credit Points
This course introduces students to the study of English by exploring the dynamic relationship between author, reader and text in a series of classic works of fiction and poetry. It covers a broad historical range (from Folk Tales and ballads to 21st century postmodernity) and offers a basic grounding in key elements of literary theory, literary history and the varieties of literary form.
Select AT LEAST TWO of the following:
Also, select ONE OR BOTH of the following:
15 Credit Points
This course gives you an exciting introduction to the Celtic and Germanic worlds. In lectures and small-group tutorials, we will explore the peoples who inhabited western and central Europe in Antiquity. We will discuss their cultures and their interactions with Greece and Rome. The course also covers the fates of these cultures in the post-Roman world. Change over time will provide a major driver of the course: for instance, empire and its effect; the history and impact of the "barbarian"; the successive impacts of Roman religion and of Christianity, and how they were represented in mediaeval "heroic" literature.
15 Credit Points
This course gives students an introduction to the modern Irish language. It covers basic conversation skills, and the structures of the language, through the use of songs, videos and speaking practice in class. It is open to those with little or no knowledge of the language.
15 Credit Points
Gaelic is Scotland's oldest living language. In this introductory course you will learn about the Gaels, their history and their role in the shaping modern Scotland. You will also learn about how Gaelic language and culture became minoritised in its own country. Students will learn learn about various contemporary initiatives that are aimed at saving and promoting this indigenous language and culture and this will be compared to minority languages and cultures elsewhere in the world.
15 Credit Points
This is an 11-week course in the modern Scottish Gaelic language for students who have little or no prior experience of the language, or for students with no formal qualifications in Gaelic.
You will learn Gaelic through a mixture of interactive language classes, a class which focuses on conversational skills, and a programme of homework exercises, together with self-directed learning.
By the end of the course, you will be able to speak, read, write and understand Gaelic at a basic level and you will have mastered a large working vocabulary.
15 Credit Points
Latin 1 is an introductory, intensive course for those with little or no previous exposure to Latin. Students completing this course should have a Latin vocabulary of about 400 words and a basic understanding of Latin grammar and syntax. Students successfully completing this course will be adequately prepared to attend Latin 2. Students will very likely discover that their knowledge of English vocabulary and grammar/syntax is improved by their study of Latin. The etymological roots of many English words can be traced to the Latin language.
15 Credit Points
This is an 11-week course in the modern Scottish Gaelic language for students who have completed GH1007 Gaelic for Beginners 1A.
You will attend three interactive language classes and one conversation class each week, as well as undertaking self-directed learning.
By the end of the course you will be expected to have mastered a large working vocabulary and to be competent in understanding and using most of the major structures of the language.
15 Credit Points
Latin 2 picks up where Latin 1 finished in first term. By the end of this course students should have a more or less comprehensive understanding of Latin syntax and grammar, a Latin vocabulary of 700-800 words, and should be capable of translating simple Latin texts into idiomatic English. Students will very likely discover that their knowledge of English vocabulary and grammar/syntax is improved by their study of Latin.
15 Credit Points
Literature can provoke, offend and disturb as well as entertain. This course considers some of the most powerful and controversial works of modern literature. It examines the circumstances of publication, the nature of the controversy, and the cultural and critical impact of each work. The course shows how poems, plays and novels can raise searching questions about national, racial and personal identity, and looks at the methods used by writers to challenge their readers, as well the responses of readers to such challenges.
15 Credit Points
'Rethinking Reading' complements the module ‘Acts of Reading’. Intended primarily for students with degree intentions in English, this course introduces key areas in critical theory that inform the current work of staff at Aberdeen. It asks students to consider the history of English studies and its relationship to colonialism, and how this impacts on conceptions of literature and authorship, alongside topics such as gender and sexuality, and genre. Through a series of modules, the course introduces each area of theory alongside a literary text used as a case study. The course supports students in learning to read and use critical theory in your work, incorporating reflective learning and a practical focus on the techniques involved in critical writing.
30 Credit Points
So you think you know Shakespeare? This course invites you to think again. Studying a range of plays we get behind the mythology of Shakespeare, and rediscover the dynamic inventiveness of the Elizabethan theatre. Shakespeare and his contemporaries were the principal players in a period of literary experimentation that reinvented the possibilities of literature. Encounters with Shakespeare is your chance to find out more.
30 Credit Points
This course traces the use of key Western myths from antiquity to the present to examine the way knowledge is often presented as both dangerous and compelling. As well as introducing students to a range of historical, social, and formal variations on the theme of knowledge, the course also highlights the role of storytelling and adaptation in the formation of knowledge and understanding.
Select AT LEAST TWO of the following:
Plus, select further courses of choice to make up 120 credit points.
15 Credit Points
The year 793: a surprise viking attack on the peaceful monastic island of Lindisfarne. This raid is often considered to mark the beginning of the so-called Viking Age, a time of turbulence and transformation with repercussions throughout Europe and beyond. This period saw violence and warfare, cultural contact and religious conversion, political overhaul, and literary and artistic creativity. As well as critically interrogating the concepts of the ‘viking’ and the ‘Viking Age’, this course provides an introduction to key themes and topics in the study of early Scandinavia, c. 800-1200.
15 Credit Points
This survey course is an introduction to Scottish Gaelic literature from the 17th century to the modern day. Scottish Gaelic has one of Europe's oldest secular literatures and this is an exciting choice for anyone with an interest in Scotland's history, literature and culture: it is taught using translated texts and originals for those whose Gaelic language is good enough. Students will gain new perspectives on key areas of Scottish society such as Jacobitism, the Clearances, the Highland Land Wars, the Celtic Twilight Movement and the Gaelic renaissance in the modern period. This course is suitable for anyone in Programme Year 2 with an interest in Scottish society.
15 Credit Points
This course provides an introduction to Gaelic Ireland from the eighteenth century to the present, a period of great historical trauma but also of unrivalled literary expression across many genres, from courtly poetry to the folk song, the autobiography and the novel. Reference will be made throughout to the political upheavals in which Gaelic Ireland was refashioned, alongside other key themes including the changing status of the Irish language, and Ireland's relationship with the rest of Europe. Though much Gaelic writing of this period closely reflect the bleakness of history, it has also been a vehicle for joyful affirmation, comedy, and tragic grandeur and resilience.
Select ONE course from EACH of the following categories:
Medieval/Renaissance Literature
Romantic/Victorian Literature
Contemporary/Modern Literature
Plus ONE course from the following:
Plus, select 60 credit points of level 3 Celtic & Anglo Saxon courses (listed below).
30 Credit Points
This course explores the poetry, drama and prose of a period often referred to as the golden age of English literature. A period which saw Shakespeare and his contemporaries produce innovative new literary works in which the language of desire took centre stage.
30 Credit Points
This course is your opportunity to study four of the most influential and gripping texts of world literature. We begin in the oral culture of ancient Greece, with the Iliad's stark meditation on war and death, and the Odyssey's consolatory reflections on divine justice, poetry and love. In imperial Rome, we see the genre transformed into a monument to political power in Virgil's Aeneid, then thrown into disarray by Ovid's irreverent anti-epic, the Metamorphoses. We end by considering some of the ways these texts have been exploited and adapted across the intervening centuries, in poetry and prose, art and film.
30 Credit Points
Knights, Virgins, and Viragos offers an introduction to the variety of medieval literature and culture. Turning a critical eye on the role misconceptions of the Middle Ages play in present day white supremacy, the course highlights genres from medieval drama to life writing, with attention to the medieval history of race making and modern responses to the work of Chaucer in the poetry of Patience Agbabi.
30 Credit Points
The Romantic movement swept Europe in the late eighteenth and early nineteenth centuries and produced some of the most innovative and exciting literature that has ever been seen. This rule breaking art helped shape the way that we consider art today and underpins many of our ideas about imagination, originality, creativity and self-expression. This course will explore the ways in which the Romantic movement manifested itself across Britain and Ireland and will consider writers such as Blake, Wordsworth, Coleridge, Scott, Austen and Byron.
30 Credit Points
The Romantic (1782-1832) and Victorian (1832-1901) periods were ones of remarkable activity for British citizens abroad. Imperial expansion, increasing international trade, major conflicts and growing mass migration all drew more British citizens than ever into contact with the wider world. This course explores the footprints left by these interactions in nineteenth-century literature: critically examining how Britain saw the world and how the English-speaking world saw Britain during a century of unprecedented international activity. This course will combine canonical writers of empire and migration with less well-known accounts of the period. Writers covered may include Mary Shelley, Henry Derozio, Fergus Hume, Cornelia Sorabji, Robert Louis Stevenson and Arthur Conan Doyle. The course will apply a range of critical lenses to this material offering students an introduction to key concepts and debates from nation theory, settler studies and postcolonial studies.
30 Credit Points
While the short story is often said to have developed in America, nineteenth-century Scottish writing is in fact instrumental in the emergence of the form. Often drawing on oral and folk traditions Scottish writers in the nineteenth and early twentieth centuries employ the supernatural, or our fear of it, to explore subjects such as guilt, fear, remorse and the extent to which we can control our own destinies. This course will explore the ways in which the short story in Scotland develops from the early nineteenth century until the beginning of the twentieth. It will include writers such as Walter Scott, James Hogg, John Galt, Margaret Oliphant, Robert Louis Stevenson, Arthur Conan Doyle and Jane Findlater.
30 Credit Points
The early twentieth century was a time of great literary experimentation as literary modernists rose to the challenge to make it new. We will explore modernism’s stylistic experimentation while also considering the social contexts and changes that shaped this literature. The course will examine a range of writers, genres, movements and locations which prompt us to consider what, when and where was modernism.
30 Credit Points
This course examines an important and diverse period in the development of American literature, lasting from the mid-nineteenth century until the 1930s. During the course we will be analysing works by a variety of American writers from this period in their historical, social and political contexts as well as considering the ways in which they pioneered innovative literary forms and techniques.
30 Credit Points
This course adopts a cross-period approach, bringing contemporary and premodern texts into conversation in exploring representations of queer experiences and themes in diverse forms. Divided into three sections, queer presents, queer pasts, and queer futures, the course will introduce a selection of theoretical and critical readings in thinking about how representation is shaped by temporal and cultural context. We will consider the relationship between representation of queer experience and formal experimentation, and how queer forms impact on our sense of queer possibilities.
30 Credit Points
This course offers an overview of a wide range of twentieth-century Scottish literature, focusing on themes of haunting, death, and place. Including novels, short stories, poetry, and drama, the course explores questions of the relationship between self and society, the legacy of the past, and the formation of gendered and regional identities. There are lots of ghosts.
30 Credit Points
How is the artist to respond when the virtual becomes the real and when words cannot carry the weight of trauma? How can an author avoid the accusations of voyeuristic prurience or crass opportunism when he or she attempts to re-present events of public violence? This multi-disciplinary course examines work from a wide range of modes, including fiction, poetry, film and graphic art, and looks at the difficulties of inscribing trauma and the ethics and praxis of remembrance. Key events covered include the Holocaust, the Sabra and Shatila massacre, 9-11, the Gulf War and the conflict in the Balkans.
30 Credit Points
How is the artist to respond when the virtual becomes the real and when words cannot carry the weight of trauma? How can an author avoid the accusations of voyeuristic prurience or crass opportunism when he or she attempts to re-present events of public violence? This multi-disciplinary course examines work from a wide range of modes, including fiction, poetry, film and graphic art, and looks at the difficulties of inscribing trauma and the ethics and praxis of remembrance. Key events covered include the Holocaust, the Sabra and Shatila massacre, 9-11, the Gulf War and the conflict in the Balkans.
30 Credit Points
This course offers students the opportunity, through lectures and interactive workshops, to develop their understanding of, and practical skills in, the writing of prose fiction, poetry and creative non-fiction. Taught by widely published, award-winning writers, it provides a thorough, practice-based understanding of creative process and of the technical challenges involved in developing an original idea into a completed literary artefact, presented to a professional standard. It also contributes to students' future career potential, whether as ‘creative’ or other kinds of professional writers/communicators.
30 Credit Points
This course enables students to apply skills of close linguistic analysis to a range of literary texts and genres. Students will explore the ways that different aspects of linguistic structure shape and contribute to readers' interpretations. The core structural elements of phonology, morphology and syntax will be covered; each week, students will discuss a particular text, putting into practice skills of stylistic analysis. We will cover both canonical ‘Literary’ texts and other forms of writing.
30 Credit Points
This course will invite students to explore the ways film and literature can engage with and represent a variety of landscapes, and how, in turn, landscape can influence both the production of the work and the creation of meaning. We will study selected works of film and literature from the twentieth and twenty-first centuries, including mainstream and independent cinema, poetry, and fiction and non-fiction literary texts that have been adapted for film. We will look at ways in which various landscapes may have been appropriated for their emotive qualities: to connote feelings of desolation, oppression or plenitude; loneliness, fear or joy. We will also look at landscapes as sites of specific cultural history. As the course progresses, drawing on contemporary research in cultural and human geographies, and elsewhere, we will explore the ways that studying landscapes of film and literature can assist in our ability to conceive landscape not only as a static or symbolic entity, but as a highly mobile, interactive site in which history, experience and materiality converge in the ongoing production of space and meaning. In this way, we will consider how the works studied articulate John Wylie’s provocative claim that ‘landscape is tension’.
This interdisciplinary course will draw on writings from literary, film and cultural theorists, philosophers, artists and social scientists.
30 Credit Points
This course will provide an introduction to the language of the Anglo-Saxons. It will focus on grammatical study of the language, and translating basic Anglo-Saxon passages into modern English. It will be based on a new version of the Old English course designed by Dr Duncan Macrae-Gibson, an eminent Anglo-Saxonist and inspirational lecturer at Aberdeen. This 21st-century version of the course (published by Aberdeen University Press) will include traditional and online elements. The course will give students the opportunity to begin learning the language in which 'Beowulf' and many other fascinating poems and prose texts were composed.
30 Credit Points
The course provides a basic introduction to Old Gaelic, and is an exciting option for students who are interested in exploring the history of modern Scottish Gaelic, and/or curious about Celtic grammatical structures. We will read some basic texts in the original language. Any previous language study will be an advantage. Old Gaelic is the earliest form of a Celtic language which we can reconstruct with some certainty. It holds the key to the earliest vernacular literature north of the Alps, and is the earliest attested form of both Irish and Scottish Gaelic.
15 Credit Points
This course introduces students to the Gaelic language and society of the early modern period c1200-c1700. Students will learn to read short texts in the original language (with help); students will also read translated texts and scholarly materials about historical and cultural topics of that period.
15 Credit Points
This course will provide the opportunity for self-motivated students to pursue in-depth exploration of a specific topic in Celtic and/or Anglo-Saxon Studies. It gives students an opportunity for intensive engagement in a specific area within the research field of an individual staff member, and can be arranged as preparatory work towards a dissertation. The content of this course varies depending on the topic chosen, but the course focuses on enhancing the student's knowledge and research skills in the specified topic. Students interested in taking the course MUST discuss their specific interest before the course begins with a possible supervisor and with the Programme Co-ordinator (Aideen O'Leary).
15 Credit Points
Here in Scotland we have a world-class record of past human society. From the spectacularly preserved Neolithic settlement of Skara Brae to 19th century clearance villages, this course explores the broad sweep of Scottish prehistoric and historic archaeology. In lectures and a day long study trip students will get an in-depth insight into the archaeology of Scotland and will explore some of the major issues in human history: the origins of agriculture and monumentality, worldview and belief in the north, settlement and social structure, urbanism and the emergence of the modern world.
30 Credit Points
Are heroes always a good thing? Medieval Gaelic legendary narrative offers no simple answers. Its rich and hugely entertaining body of heroic sagas dramatizes the feuds, loves and fatal flaws of great men and women of medieval Ireland and Scotland, to reflect on urgent questions about royal and aristocratic conduct. Storylines studied will include cattle-raids, fights with saints, beheading competitions, family breakdowns, love-triangles, and people uprooting trees for no apparent reason.
30 Credit Points
This course will explore developments in religious beliefs and practices in the Celtic and Anglo-Saxon worlds (especially Scotland and Ireland) from 400 to 1200. Topics included will include some or all of the following: conversion to Christianity, saints and monasteries, the production of saints’ Lives and other texts, heresies real and alleged, Culdee works and teachings, apocryphal texts and prophecies, the influence of canon law, effects brought about by Vikings, and the wide-ranging reforms of the twelfth century.
Choose ONE of the following:
Plus select further credit points from level 4 courses in Celtic & Anglo-Saxon Studies (listed below) and level 4 courses in English to gain 60 credits in each discipline.
30 Credit Points
The Dissertation in Celtic & Anglo-Saxon Studies is for Senior Honours students registered in the Celtic & Anglo-Saxon Studies degree programme. It will consist of approximately 3 one-hour tutorials, to provide students with guidance on selecting a suitable academic topic and developing a methodology for tackling this topic.
30 Credit Points
Students will have the opportunity to write a dissertation on a topic of their choosing within English literature.
30 Credit Points
This course will provide an introduction to the language of the Anglo-Saxons. It will focus on grammatical study of the language, and translating basic Anglo-Saxon passages into modern English. It will be based on a new version of the Old English course designed by Dr Duncan Macrae-Gibson, an eminent Anglo-Saxonist and inspirational lecturer at Aberdeen. This 21st-century version of the course (published by Aberdeen University Press) will include traditional and online elements. The course will give students the opportunity to begin learning the language in which 'Beowulf' and many other fascinating poems and prose texts were composed.
30 Credit Points
The course provides a basic introduction to Old Gaelic, and is an exciting option for students who are interested in exploring the history of modern Scottish Gaelic, and/or curious about Celtic grammatical structures. We will read some basic texts in the original language. Any previous language study will be an advantage. Old Gaelic is the earliest form of a Celtic language which we can reconstruct with some certainty. It holds the key to the earliest vernacular literature north of the Alps, and is the earliest attested form of both Irish and Scottish Gaelic.
15 Credit Points
This course introduces students to the Gaelic language and society of the early modern period c1200-c1700. Students will learn to read short texts in the original language (with help); students will also read translated texts and scholarly materials about historical and cultural topics of that period.
15 Credit Points
This course will provide the opportunity for students to pursue in-depth exploration of a specific topic in Celtic and/or Anglo-Saxon Studies. It gives students an opportunity for intensive engagement in a specific area within the research field of an individual staff member, and can be arranged as preparatory work towards a dissertation. The content of this course may vary, but the course focuses on enhancing the student's knowledge and research skills in the specified topic. Students interested in taking the course should discuss their specific interest in advance, where possible, with the Programme Co-ordinator and a possible supervisor.
30 Credit Points
Are heroes always a good thing? Medieval Gaelic legendary narrative offers no simple answers. Its rich and hugely entertaining body of heroic sagas dramatizes the feuds, loves and fatal flaws of great men and women of medieval Ireland and Scotland, to reflect on urgent questions about royal and aristocratic conduct. Storylines studied will include cattle-raids, fights with saints, beheading competitions, family breakdowns, love-triangles, and people uprooting trees for no apparent reason.
30 Credit Points
This course will explore developments in religious beliefs and practices in the Celtic and Anglo-Saxon worlds (especially Scotland and Ireland) from 400 to 1200. Topics included will include some or all of the following: conversion to Christianity, saints and monasteries, the production of saints’ Lives and other texts, heresies real and alleged, Culdee works and teachings, apocryphal texts and prophecies, the influence of canon law, effects brought about by Vikings, and the wide-ranging reforms of the twelfth century.
We will endeavour to make all course options available; however, these may be subject to timetabling and other constraints. Please see our InfoHub pages for further information.
Students are assessed by any combination of three assessment methods:
The exact mix of these methods differs between subject areas, years of study and individual courses.
Honours projects are typically assessed on the basis of a written dissertation.
The information below is provided as a guide only and does not guarantee entry to the University of Aberdeen.
SQA Highers
Standard: AABB
Applicants who have achieved AABB (or better), are encouraged to apply and will be considered. Good performance in additional Highers/ Advanced Highers may be required.
Minimum: BBB
Applicants who have achieved BBB (or are on course to achieve this by the end of S5) are encouraged to apply and will be considered. Good performance in additional Highers/Advanced Highers will normally be required.
Adjusted: BB
Applicants who have achieved BB, and who meet one of the widening participation criteria are encouraged to apply and will be considered. Good performance in additional Highers/Advanced Highers will be required.
More information on our definition of Standard, Minimum and Adjusted entry qualifications.
A LEVELS
Standard: BBB
Minimum: BBC
Adjusted: CCC
More information on our definition of Standard, Minimum and Adjusted entry qualifications.
International Baccalaureate
32 points, including 5, 5, 5 at HL.
Irish Leaving Certificate
5H with 3 at H2 AND 2 at H3.
Entry from College
Advanced entry to this degree may be possible from some HNC/HND qualifications, please see www.abdn.ac.uk/study/articulation for more details.
SQA Highers
Standard: AABB
Applicants who have achieved AABB (or better), are encouraged to apply and will be considered. Good performance in additional Highers/ Advanced Highers may be required.
Minimum: BBB
Applicants who have achieved BBB (or are on course to achieve this by the end of S5) are encouraged to apply and will be considered. Good performance in additional Highers/Advanced Highers will normally be required.
Adjusted: BB
Applicants who achieve BB over S4 and S5 and who meet one of the widening access criteria are guaranteed a conditional offer. Good performance in additional Highers/Advanced Highers will be required.
More information on our definition of Standard, Minimum and Adjusted entry qualifications.
A LEVELS
Standard: BBB
Minimum: BBC
Adjusted: CCC
More information on our definition of Standard, Minimum and Adjusted entry qualifications.
International Baccalaureate
32 points, including 5, 5, 5 at HL.
Irish Leaving Certificate
5H with 3 at H2 AND 2 at H3.
Entry from College
Advanced entry to this degree may be possible from some HNC/HND qualifications, please see www.abdn.ac.uk/study/articulation for more details.
The information displayed in this section shows a shortened summary of our entry requirements. For more information, or for full entry requirements for Arts and Social Sciences degrees, see our detailed entry requirements section.
To study for an Undergraduate degree at the University of Aberdeen it is essential that you can speak, understand, read, and write English fluently. The minimum requirements for this degree are as follows:
IELTS Academic:
OVERALL - 6.0 with: Listening - 5.5; Reading - 5.5; Speaking - 5.5; Writing - 6.0
TOEFL iBT:
OVERALL - 78 with: Listening - 17; Reading - 18; Speaking - 20; Writing - 21
PTE Academic:
OVERALL - 59 with: Listening - 59; Reading - 59; Speaking - 59; Writing - 59
Cambridge English B2 First, C1 Advanced or C2 Proficiency:
OVERALL - 169 with: Listening - 162; Reading - 162; Speaking - 162; Writing - 169
Read more about specific English Language requirements here.
You will be classified as one of the fee categories below.
Fee category | Cost |
---|---|
RUK | £9,250 |
Tuition Fees for 2023/24 Academic Year | |
EU / International students | £20,800 |
Tuition Fees for 2023/24 Academic Year | |
Home Students | £1,820 |
Tuition Fees for 2023/24 Academic Year |
Students from England, Wales and Northern Ireland, who pay tuition fees may be eligible for specific scholarships allowing them to receive additional funding. These are designed to provide assistance to help students support themselves during their time at Aberdeen.
Further Information about tuition fees and the cost of living in Aberdeen
View all funding options in our Funding Database.
Graduates gain essential skills, which include critical thinking, oral and written communication, task management and organised and disciplined working practices. These skills are among the Graduate Attributes which students are encouraged to develop during their time at the University and are crucial in a wide range of professional careers. Our graduates work in a wide variety of areas in the arts and elsewhere, including heritage management, teaching, research, librarianship, enterprise and broadcasting.
Our courses in Celtic & Anglo-Saxon Studies and English are taught by experts in their field. Your teachers will include, among others:
You will be taught by a range of experts including professors, lecturers, teaching fellows and postgraduate tutors. Staff changes will occur from time to time; please see our InfoHub pages for further information.
Aberdeen has the largest concentration of experts on early Scandinavia in the British Isles.
The Centre for the Novel is a interdisciplinary research centre which aim is to promote discussion about the theory and practice of the novel across a range of languages, historical periods and critical approaches.
Find out moreOne of the oldest, most famous and liveliest student societies in the University. The Society organises social and cultural events, including Welsh and Irish themed evenings and traditional music sessions.
Discover Uni draws together comparable information in areas students have identified as important in making decisions about what and where to study. You can compare these and other data for different degree programmes in which you are interested.