Timothy C. Baker received an AB in Cognitive Science from Vassar College in 1999 and a PhD in English Literature from the University of Edinburgh in 2007. He was a postdoctoral fellow at the Institute for Advanced Studies in the Humanities from 2007-08, and joined the University of Aberdeen in 2009. His research and teaching centres on Scottish and contemporary literature, with a particular focus on the environmental humanities and animal studies.
Scottish Universities International Summer School, Board Member
British Association for Contemporary Literary Studies, Elected Ordinary Member
External examiner: University of the Highlands and Islands.
New Forms of Environmental Writing: Gleaning and FragmentationBloomsbury Academic, London. 256 pagesBooks and Reports: Books
Mapping Escape: Geography and GenreScottish Writing After Devolution. Pittin-Hédon, M., Manfredi, C., Hames, S. (eds.). Edinburgh University Press, pp. 123-140, 18 pagesChapters in Books, Reports and Conference Proceedings: Chapters
A Different World: Dorothy K. Haynes’s Domestic HorrorGothic Studies, vol. 23, no. 1, pp. 70-83Contributions to Journals: Articles
Reading My Mother Back: A Memoir in Childhood Animal StoriesGoldsmiths Press. 168 pagesBooks and Reports: Books
The Gender Politics of TreesNonhuman Agencies in the Twenty-First-Century Anglophone Novel. Liebermann, Y., Rahn, J., Burger, B. (eds.). Palgrave Macmillan, pp. 169-186, 18 pagesChapters in Books, Reports and Conference Proceedings: Chapters
Professor Baker specialises in Scottish and contemporary literature (primarily fiction, but poetry and creative nonfiction too!). He is the author of George Mackay Brown and the Philosophy of Community (2009), Contemporary Scottish Gothic: Mourning, Authenticity, and Tradition (2014), Writing Animals: Language, Suffering, and Animality in Twenty-First-Century Fiction (2019), New Forms of Environmental Writing: Gleaning and Fragmentation (2022) and Reading My Mother Back: A Memoir in Childhood Animal Stories (2022). Other research and teaching interests include genre and space in twentieth-century women's fiction, climate change and environmental crisis, and contemporary posthuman, queer, and feminist theories. Recent and forthcoming articles and papers include discussions of queer temporality in school detective fiction, ecocriticism and the body, and community in Scottish fiction, and studies of authors such as Michel Faber, Dorothy K. Haynes, and Muriel Spark. Current PhD supervision includes projects on ecofeminism, literary animal studies, the Scottish literary renaissance, autism in literature, contemporary Gothic, and Kazuo Ishiguro. He welcomes inquiries from potential research students interested in working in related areas,, particularly projects on contemporary and experimental literature, ecocriticism, animal studies, and queer studies.
I am currently accepting PhDs in English.
Please get in touch if you would like to discuss your research ideas further.
- English Literature
- Women's Studies
- Scottish Literature
- North American Literature Studies
Professor Baker's most recent book-length projects are a monograph on ideas of gleaning and fragmentation in contemporary environmental writing and a memoir focused on children's animal stories. He is also working on shorter projects on ecocriticism, community, and utopia, with an increasing interest in the blue humanities.
Completed PhD Supervision:
Pimpawan Chaipanit, ‘A Spatial Analysis of British Women’s Domestic Fiction from Jane Austen to Helen Fielding’ (2019)
Hyginus Eze, 'Social Space in Third-Generation Nigerian Novels’ (2019)
Rebecca Langworthy, 'Genre and Audience: The Development of Adult Fantasy in the Work of George MacDonald' (2018)
Rachel Smillie, 'The Lady Vanishes: Women Writers and the Development of Detective Fiction' (2014)
Brenda Ebersole, 'The Novels of Barbara Kingsolver: A Case Study in Transnational American Literature' (2014)
Current PhD Students:
Page 2 of 4 Results 11 to 20 of 35
Writing Animals: Language, Suffering, and Animality in Twenty-First-Century FictionPalgrave Macmillan. 242 pagesBooks and Reports: Books
AutobiografictionThe Routledge Companion to Twenty-First Century Literary Fiction. O'Gorman, D., Eaglestone, R. (eds.). 1 edition. Routledge, pp. 48-56, 9 pagesChapters in Books, Reports and Conference Proceedings: Chapters
The Ghost Story in ScotlandThe Routledge Handbook to the Ghost Story. Brewster, S., Thurston, L. (eds.). Routledge, pp. 188-196, 9 pagesChapters in Books, Reports and Conference Proceedings: Chapters
“Oh, my dog owns me”: Interspecies Companionship in Dodie Smith and Diana Wynne JonesThe Lion and the Unicorn, vol. 41, no. 3, pp. 344-360Contributions to Journals: Articles
'To Bring Profoundest Sympathy': Jenkins and CommunityThe Fiction of Robin Jenkins. Bicket, L., Gifford, D. (eds.). Brill, pp. 51-66, 16 pagesChapters in Books, Reports and Conference Proceedings: Chapters
Crime novel His Bloody Project put Scottish writing back in the spotlightThe ConversationContributions to Specialist Publications: Articles
New Frankensteins; or, the Body PoliticScottish Gothic. Davison, C. M., Germana, M. (eds.). Edinburgh University Press, pp. 195-207, 13 pagesChapters in Books, Reports and Conference Proceedings: Chapters
Second Time Round: Fugal Memory in Ciaran Carson’s For All We KnowReview of Irish Studies in Europe , vol. 1, no. 1, pp. 1-17Contributions to Journals: Articles
Writing Scotland's Future: Speculative Fiction and the National ImaginationStudies In Scottish Literature, vol. 42, no. 2, pp. 248-266Contributions to Journals: Articles
The Lonely Island: Exile and Community in Recent Island WritingCommunity in Modern Scottish Literature. Lyall, S. (ed.). Brill, pp. 25-42, 18 pagesChapters in Books, Reports and Conference Proceedings: Chapters