Introduction

English and Art History at Aberdeen combines all the advantages of the UK’s second most highly-rated research hub for English literature, language and creative writing, with the study of the art of all literary periods at Scotland’s top-rated university. You will examine buildings, sculptures, drawings, paintings, prints, decorative and industrial arts – and gain the skills to draw up a range of exciting career options.

Study Information

At a Glance

Learning Mode
On Campus Learning
Degree Qualification
MA
Duration
48 months
Study Mode
Full Time
Start Month
September
UCAS Code
QV33
Pathway Programme Available
Undergraduate Foundation Programme
Degree marketing image

Aberdeen is a leading centre for the study of literature, language and creative writing, rated second in the UK for its research output. You will study poetry and prose through the dynamic relationship between author, reader and literary text, covering every period from Chaucer to contemporary English, Scottish, Irish, European and American writing and the cultural and critical impact of powerful and controversial modern works. You will be inspired by enthusiastic teachers and researchers, themselves acclaimed authors and poets and be encouraged to develop your own creative writing skills.

You will complement this with extensive specialised knowledge of the history of painting, sculpture, architecture and the decorative arts in Europe and North America from the Middle Ages to the present day. You will study in buildings centuries old, yet with the most modern teaching and technology, inspired by teachers and researchers whose specialist areas range from Pictish art, Medieval architecture, Italian Baroque painting, early modern prints and Scottish and British painting from the 17th to 20th centuries.

Your specialist skills make you ideally placed to enter the art gallery and museum sectors, arts education, publishing and journalism, or fine art conservation. The transferable skills that you will gain, including teamwork, time management, personal initiative, and highly developed enquiry, analytical and presentational skills are ideally suited to a range of careers.

What You'll Study

Year 1

Year 1

Compulsory Courses
Academic Writing for Divinity, History & Philosophy (AW1007)

This compulsory evaluation is designed to find out if your academic writing is of a sufficient standard to enable you to succeed at university and, if you need it, to provide support to improve. It is completed on-line via MyAberdeen with clear instructions to guide you through it. If you pass the evaluation at the first assessment it will not take much of your time. If you do not, you will be provided with resources to help you improve. This evaluation does not carry credits but if you do not complete it this will be recorded on your degree transcript.

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Getting Started at the University of Aberdeen (PD1002)

This course, which is prescribed for level 1 undergraduate students (and articulating students who are in their first year at the University), is studied entirely online, takes approximately 5-6 hours to complete and can be taken in one sitting, or spread across a number of weeks.

Topics include orientation overview, equality and diversity, health, safety and cyber security and how to make the most of your time at university in relation to careers and employability.

Successful completion of this course will be recorded on your Enhanced Transcript as ‘Achieved’.

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Acts of Reading (EL1009)

15 Credit Points

This course introduces students to the study of English by exploring the dynamic relationship between author, reader and text in a series of classic works of fiction and poetry. It covers a broad historical range (from Folk Tales and ballads to 21st century postmodernity) and offers a basic grounding in key elements of literary theory, literary history and the varieties of literary form.

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Modern Art (AH1501)

15 Credit Points

This course discusses key works and movements in the history of art from c. 1800 to today. It serves as an introduction to one of the most dynamic and multifaceted chapters in art history. Topics to be discussed may range from the Pre-Raphaelites and the rise of abstraction to contemporary performance art. The course will also consider the global intersections of Western art, aiming to de-centre our understanding of what counts as 'modern'

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Controversial Classics (EL1513)

15 Credit Points

Literature can provoke, offend and disturb as well as entertain. This course considers some of the most powerful and controversial works of modern literature. It examines the circumstances of publication, the nature of the controversy, and the cultural and critical impact of each work. The course shows how poems, plays and novels can raise searching questions about national, racial and personal identity, and looks at the methods used by writers to challenge their readers, as well the responses of readers to such challenges.

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Optional Courses

Select ONE OR BOTH of the following:

  • HA1004 - Introduction to Art History
  • EL1536 - Rethinking Reading

Plus, select further courses of choice to make up 120 credit points.

Introduction to Art History (HA1004)

15 Credit Points

This course investigates key episodes in the history of art in the western world from antiquity to the nineteenth century. Students will be introduced to the artistic production of distinct historical periods, with reference to their social, political, religious and cultural contexts.

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Rethinking Reading (EL1536)

15 Credit Points

Rethinking Reading invites you to consider what we do when we study literature. What shapes the idea of literature as we know it? How, and why, might we want to change the ways in which we think about texts? Who gets to decide, and why does it matter? Designed as an introduction to critical theory for students of literature, Rethinking Reading introduces several key topics in critical studies: literature, authorship, genre, sexuality, and posthumanism.

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Year 2

Year 2

Compulsory Courses
Encounters with Shakespeare (EL2011)

30 Credit Points

So you think you know Shakespeare? This course invites you to think again. Studying a range of plays we get behind the mythology of Shakespeare, and rediscover the dynamic inventiveness of the Elizabethan theatre. Shakespeare and his contemporaries were the principal players in a period of literary experimentation that reinvented the possibilities of literature. Encounters with Shakespeare is your chance to find out more.

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Art Matters: Materials and Techniques (HA2511)

30 Credit Points

This course focuses on how artworks are made. Students will be introduced to a wide range of materials, techniques and processes over the centuries relating to paintings, prints, drawings, sculpture, photography and more. Each method and material will be examined using case-study examples, with discussion opening out to issues of the agency of materials and media and their cultural logics. In doing so, students will learn how artistic intentions are shaped and determined by material qualities.

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Optional Courses

Select ONE of the following two courses:

  • EL2512 - The Tragedy of Knowledge
  • EL2517 - Power, Equality and Empire

Plus, select ONE of the following:

  • AH2001 - What is Art?
  • HA2012 - Object Lessons: Ten Works in Context

Also, select further courses of choice to make up 120 credit points.

The Tragedy of Knowledge (EL2512)

30 Credit Points

This course traces the use of key Western myths from antiquity to the present to examine the way knowledge is often presented as both dangerous and compelling. As well as introducing students to a range of historical, social, and formal variations on the theme of knowledge, the course also highlights the role of storytelling and adaptation in the formation of knowledge and understanding.

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Power, Equality and Empire (EL2517)

30 Credit Points

This optional course in literature allows students at pre-Honours to learn about the impact of global colonialism through the writings of those who experienced it and its repercussions. It includes theorists of our time and texts like Aphra Behn’s Oronoko and Daniel Defoe’s Robinson Crusoe. The texts on this course are necessarily concerned with enslavement and freedom, with how one encounters difference, and what it means to possess or claim territory. In examining these issues students will engage with issues of power and equality over centuries of writing about colonialism and empire.

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What is Art? (AH2001)

30 Credit Points

‘Art’ is a controversial category. In museums, you might see urinals and cardboard boxes exhibited – but what earns them this accolade? Is it about skill? Creativity? Beauty? Who decides what counts as ‘good’ art? And why are museums full of stuff made by white men? This course discusses these and related questions. It will introduce you to a wide range of historical definitions of art, and discuss key works, from antiquity to Instagram - many of which challenged the boundaries of ‘art’.

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Object Lessons: Ten Works in Context (HA2012)

30 Credit Points

This course focuses on ten art objects, mapping the wealth and diversity of art historical research: from iconic 'masterpieces' to popular imagery, votive objects and craft. Works discussed may range from the Parthenon marbles and Velazquez' 'Las Meninas' to wax penises and pub signs.

Each case study introduces different questions and approaches for discussing art objects: a series of lessons in critical interpretation.

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Year 3

Year 3

Compulsory Courses

HA3079 - Critical Perspectives in Art History (30 credit points)

Optional Courses

Select ONE of the following:

  • AH3001 - Curation: Theory and Practice
  • AH3003 - Materialising Faith: Women, Art and Religion, 1150-1500
  • HA3012 - Art and Society in 18th-century England

Also, select ONE of the following:

  • AH3504 - Queer Beauty: Masculinities in 19th-Century Art
  • AH3505 - The Twelfth-Century Renaissance

Plus, select TWO courses from each of the groups below:

Medieval/Renaissance

  • EL30EH: Classical Epic
  • EL30CP: Page and Stage: Renaissance Writings 1500-1640
  • EL35EJ: Writing Revolt: Literature and Politics in the 17th Century

Romantic/Victorian

  • EL35XR: Romanticism
  • EL30QA: Sympathy for the Devil: Scottish Short Stories
  • EL35SB: Britain and the 19th Century World
  • EL35VB: Bildungsroman to Alien Invasion

Contemporary/Modern

  • EL35KN: Haunted Texts
  • EL30FF: Modernism: Make it New
  • EL30RD: American Voices: Self and Society, 1850-1930
  • EL35UT: Art and Atrocity: Representations of Violence and Trauma
  • EL35WC: Queer Times

Also, select ONE course from the following:

  • EL35JS: Anglo-American Children's Literature
  • EL30YB: Creative Writing: Creativity and Craft
  • CE351C: Celtic Encounters: The Gaelic World in Irish and Scottish Literature
  • EL35ZF: Images Adequate to our Predicament: Art in the Anthropocene
  • EL30VC: Fallen Women and Self-Made Men
Curation: Theory and Practice (AH3001)

30 Credit Points

This course focuses on the theory and practice of curation, making use of the internationally renowned University Museums and Special collections, which include artworks and material culture from the earliest times to the present day. The course comprises a series of seminars covering topics, including museum and exhibition history, object selection, exhibition texts and education, which prepare the ground for student curatorial teams to design an exhibition proposal. The course is assessed by portfolio work, a presentation and a position paper. It is co-taught by Art History and Museums and Special Collections.

View detailed information about this course
Materialising Faith: Women, Art and Religion, 1150 - 1500 (AH3003)

30 Credit Points

From Hildegard of Bingen to Isabella D’Este, women played a defining role in the commissioning, making and experiencing of devotional art and architecture. This course explores the opportunities nuns, sisters, mystics, wives and widows had to express their faith, status and power by material means. Equally it focuses on the way in which such devotional works could shape women’s visions and modes of contemplation. Case studies are drawn from across Europe, with a primary focus on Italy and Germany during the period 1150-1500.

View detailed information about this course
Art & Society in 18th Century England (HA3012)

30 Credit Points

This course focuses on English art across the eighteenth century, and addresses developments across a range of genres, from portraiture and historical narratives to sporting art and political satires. Artists studied include William Hogarth, Thomas Gainsborough, Joshua Reynolds and Joseph Wright of Derby. This course also considers the broader impact on the visual arts of a burgeoning exhibition culture, the collecting ethos of the Grand Tour and greater European travel, and the intellectual reforms of the Enlightenment age. Download course guide.

View detailed information about this course
Queer Beauty: Masculinities in 19th Century Art (AH3504)

30 Credit Points

This course focuses on representations of the male body in nineteenth-century art, from Neoclassicism over the Pre-Raphaelites to fin-de-siècle art. Subjects discussed range from ideals of androgynous beauty and Romantic ‘friendship’, to Orientalism, desire and perversion. We will discuss how the male body was aestheticised, sexualised and politicised in new ways – through close study of selected artworks, but also through engagement with recent critical theory.

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The Twelfth - Century Renaissance (AH3505)

30 Credit Points

The twelfth century was a period defined by upheaval and innovation, when ancient learning and new ideas combined to transform European society across the continent. This course explores the artistic dimension to cultural, social, and political change, and brings marginalised communities into focus. We will draw on a range of sources, including manuscripts, architecture, stained glass and metalwork to understand a range of lived experiences, from isolated monks to Jewish communities.

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Page and Stage: Renaissance Writings 1500 - 1640 (EL30CP)

30 Credit Points

This course explores the poetry, drama and prose of a period often referred to as the golden age of English literature. A period which saw Shakespeare and his contemporaries produce innovative new literary works in which the language of desire took centre stage.

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Classical Epic (EL30EH)

30 Credit Points

This course is your opportunity to study four of the most influential and gripping texts of world literature. We begin in the oral culture of ancient Greece, with the Iliad's stark meditation on war and death, and the Odyssey's consolatory reflections on divine justice, poetry and love. In imperial Rome, we see the genre transformed into a monument to political power in Virgil's Aeneid, then thrown into disarray by Ovid's irreverent anti-epic, the Metamorphoses. We end by considering some of the ways these texts have been exploited and adapted across the intervening centuries, in poetry and prose, art and film.

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Writing Revolt: Literature and Politics in the Seventeenth Century (EL35EJ)

30 Credit Points

Literature has the power to reimagine society. The course will explore how poetry, drama and other literary forms across the century sought new literary approaches to meet the challenges of these times. We will examine different literary strategies adopted by authors to engage with their times, from those who drew upon classical precedent to others who brought new voices, and new publics, into the forum of literature. Texts on the course will vary each year, but will feature such authors as Ben Jonson, John Donne, Katharine Philips, John Milton, Lucy Hutchinson and Samuel Daniel.

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Romanticism (EL30XR)

30 Credit Points

The Romantic movement swept Europe in the late eighteenth and early nineteenth centuries and produced some of the most innovative and exciting literature that has ever been seen. This rule breaking art helped shape the way that we consider art today and underpins many of our ideas about imagination, originality, creativity and self-expression. This course will explore the ways in which the Romantic movement manifested itself across Britain and Ireland and will consider writers such as Blake, Wordsworth, Coleridge, Scott, Austen and Byron.

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Sympathy for the Devil: Scottish Short Stories (EL30QA)

30 Credit Points

While the short story is often said to have developed in America, nineteenth-century Scottish writing is in fact instrumental in the emergence of the form. Often drawing on oral and folk traditions Scottish writers in the nineteenth and early twentieth centuries employ the supernatural, or our fear of it, to explore subjects such as guilt, fear, remorse and the extent to which we can control our own destinies. This course will explore the ways in which the short story in Scotland develops from the early nineteenth century until the beginning of the twentieth. It will include writers such as Walter Scott, James Hogg, John Galt, Margaret Oliphant, Robert Louis Stevenson, Arthur Conan Doyle, Jane Findlater and Lewis Grassic Gibbon

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Bildungsroman to Alien Invasion (EL35VB)

30 Credit Points

This module covers some of the most prominent and popular genres of the Victorian period, including realism, detective fiction, sensation fiction, the ghost story and the social problem novel. We will learn how to identify a genre’s distinctive features, but also how it may overlap with other forms of fiction. By reading authors such as George Eliot, Charlotte Brontë, Mary Elizabeth Braddon and H. G. Wells, we will think about how writers help to create and challenge generic boundaries.

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Britain and the Nineteenth - Century World (EL35SB)

30 Credit Points

The Romantic (1782-1832) and Victorian (1832-1901) periods were ones of remarkable activity for British citizens abroad. Imperial expansion, increasing international trade, major conflicts and growing mass migration all drew more British citizens than ever into contact with the wider world. This course explores the footprints left by these interactions in nineteenth-century literature: critically examining how Britain saw the world and how the English-speaking world saw Britain during a century of unprecedented international activity. This course will combine canonical writers of empire and migration with less well-known accounts of the period. Writers covered may include Mary Shelley, Henry Derozio, Fergus Hume, Cornelia Sorabji, Robert Louis Stevenson and Arthur Conan Doyle. The course will apply a range of critical lenses to this material offering students an introduction to key concepts and debates from nation theory, settler studies and postcolonial studies.

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Modernism: Make IT New (EL30FF)

30 Credit Points

The early twentieth century was a time of great literary experimentation as literary modernists rose to the challenge to make it new. We will explore modernism’s stylistic experimentation while also considering the social contexts and changes that shaped this literature. The course will examine a range of writers, genres, movements and locations which prompt us to consider what, when and where was modernism.

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American Voices: Self and Society, 1850 - 1930 (EL30RD)

30 Credit Points

This course examines an important and diverse period in the development of American literature, lasting from the mid-nineteenth century until the 1930s. During the course we will be analysing works by a variety of American writers from this period in their historical, social and political contexts as well as considering the ways in which they pioneered innovative literary forms and techniques.

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Haunted Texts (EL35KN)

30 Credit Points

This course offers an overview of a wide range of twentieth-century Scottish literature, focusing on themes of haunting, death, and place. Including novels, short stories, poetry, and drama, the course explores questions of the relationship between self and society, the legacy of the past, and the formation of gendered and regional identities. There are lots of ghosts.

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Art and Atrocity: Representations of Violence and Trauma (EL35UT)

30 Credit Points

How is the artist to respond when the virtual becomes the real and when words cannot carry the weight of trauma? How can an author avoid the accusations of voyeuristic prurience or crass opportunism when he or she attempts to re-present events of public violence? This multi-disciplinary course examines work from a wide range of modes, including fiction, poetry, film and graphic art, and looks at the difficulties of inscribing trauma and the ethics and praxis of remembrance. Key events covered include the Holocaust, the Sabra and Shatila massacre, 9-11, the Gulf War and the conflict in the Balkans.

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Queer Times (EL35WC)

30 Credit Points

This course adopts a cross-period approach, bringing contemporary and premodern texts into conversation in exploring representations of queer experiences and themes in diverse forms. Divided into three sections, queer presents, queer pasts, and queer futures, the course will introduce a selection of theoretical and critical readings in thinking about how representation is shaped by temporal and cultural context. We will consider the relationship between representation of queer experience and formal experimentation, and how queer forms impact on our sense of queer possibilities.

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Fallen Women and Self - Made Men (EL30VC)

30 Credit Points

The Victorian period is often seen as a time of sexual repression and rigid gender roles, in which men and women were expected to perform in accordance with established codes of behaviour that were based on assumptions about innate masculinity and femininity. While this perception of Victorian attitudes may be true to some extent, many Victorians were well aware of the dangers of gender stereotyping, and wrote fiction in order to interrogate and challenge these expectations. Focussing mainly on the novel, but including some poetry and drama, this module explores how Victorian writers engaged with gender stereotypes, and considers the literary tactics that authors used to re-examine, overthrow and sometimes reaffirm them. We will also consider how these stereotypes changed during the nineteenth century in response to public controversies and campaigns that kept questions of gender at the forefront of public consciousness. Figures such as the Fallen Woman, the Self-Made man and the Angel in the House will be explored in texts by authors including Emily Brontë, Christina Rossetti, Robert Louis Stevenson and Thomas Hardy.

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Creative Writing: Creativity and Craft (EL30YB)

30 Credit Points

This course offers students the opportunity, through lectures and interactive workshops, to develop their understanding of, and practical skills in, the writing of prose fiction, poetry and creative non-fiction. Taught by widely published, award-winning writers, it provides a thorough, practice-based understanding of creative process and of the technical challenges involved in developing an original idea into a completed literary artefact, presented to a professional standard. It also contributes to students' future career potential, whether as ‘creative’ or other kinds of professional writers/communicators.

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Anglo - American Childrens Literature (EL35JS)

30 Credit Points

From the picture book to the fairy tale, literature for children offers a wide range of literary modes of engaging with questions of human becoming. This course explores American and British children’s literature from the late nineteenth to the twenty-first century. We will look at a range of genres including poetry, the school story, the adventure story and fantasy, as well as examining the construction of children’s literature as a genre of its own. We will engage in close reading, and consider historical and social context and questions of gender, race and sexuality.

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Celtic Encounters: the Gaelic World in Irish and Scottish Literature (CE351C)

30 Credit Points

Celtic Encounters looks at the ways in which Irish and Scottish writers have reimagined texts of Celtic origin in the nineteenth, twentieth, and twenty-first centuries, from the Irish Literary Revival through the Scottish Literary Renaissance, to the present day. Writers have adapted Old Gaelic sagas and hero tales for modern consumption, reinvented themselves as latter-day bardic poets, and been inspired by the Celtic and Gaelic past to produce daringly modernist and experimental new work.

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Images Adequate to Our Predicament: Art for the Anthropocene (EL35ZF)

30 Credit Points

Through the effects of technological progress, industrialisation, deforestation, mining, our dependence on fossil fuels and plastics, and the testing of nuclear weapons, humans have become geological agents – radically transforming the Earth System in ways that will leave a trace for millions of years to come. This realisation has come to be known as the ‘Anthropocene’ – the time of humans. The implications – materially, emotionally and intellectually – are vast and complex. How do writers and artists respond to this complexity? What role can literature, film and visual art play in our understanding of it? This course addresses these and other questions. By studying select works of literature, film and visual art from the last sixty years alongside critical, theoretical and scientific writing on the Anthropocene, can we identify those images that might be thought adequate to our predicament?

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Year 4

Year 4

Optional Courses

Select ONE of the following dissertation options:

  • EL4502 - English Dissertation
  • HA4588 - Art History Dissertation

Plus, select ONE of the following:

  • AH4001 - Curation: Theory and Practice
  • AH4003 - Materialising Faith: Women, Art and Religion, 1150-1500
  • HA4012 - Art and Society in 18th-century England

Select further credit points from level 4 courses in English to gain 60 credits in the discipline.

Plus, select 30 credit points in level 4 Art History if required.

English Dissertation (EL4502)

30 Credit Points

Students will have the opportunity to write a dissertation on a topic of their choosing within English literature.

View detailed information about this course
History of Art Dissertation (HA4588)

30 Credit Points

Your dissertation is intended to give you the opportunity to carry out a piece of sustained research on a topic of your own choice and to demonstrate to the examiners your ability to present the results of such research in a proper, scholarly manner. Your research may be of various kinds. It may address works of art (or a single work of art) directly, through first-hand study in galleries, museums, or private collections, or it may be of a more literary kind, addressing critical or theoretical problems. Or it might involve both.

View detailed information about this course
Curation: Theory and Practice (AH4001)

30 Credit Points

This course focuses on the theory and practice of curation, making use of the internationally renowned University Museums and Special collections, which include artworks and material culture from the earliest times to the present day. The course comprises a series of seminars covering topics, including museum and exhibition history, object selection, exhibition texts and education, which prepare the ground for student curatorial teams to design an exhibition proposal. The course is assessed by portfolio work, a presentation and a position paper. It is co-taught by Art History and Museums and Special Collections.

View detailed information about this course
Materialising Faith: Women, Art and Religion, 1150 - 1500 (AH4003)

30 Credit Points

From Hildegard of Bingen to Isabella D’Este, women played a defining role in the commissioning, making and experiencing of devotional art and architecture. This course explores the opportunities nuns, sisters, mystics, wives and widows had to express their faith, status and power by material means. Equally it focuses on the way in which such devotional works could shape women’s visions and modes of contemplation. Case studies are drawn from across Europe, with a primary focus on Italy and Germany during the period 1150-1500.

View detailed information about this course
Art & Society in 18th Century England (HA4012)

30 Credit Points

This course focuses on English art across the eighteenth century, and addresses developments across a range of genres, from portraiture and historical narratives to sporting art and political satires. Artists studied include William Hogarth, Thomas Gainsborough, Joshua Reynolds and Joseph Wright of Derby. This course also considers the broader impact on the visual arts of a burgeoning exhibition culture, the collecting ethos of the Grand Tour and greater European travel, and the intellectual reforms of the Enlightenment age. Download course guide.

View detailed information about this course

We will endeavour to make all course options available; however, these may be subject to timetabling and other constraints. Please see our InfoHub pages for further information.

How You'll Study

Learning Methods

  • Individual Projects
  • Lectures
  • Research
  • Tutorials

Assessment Methods

Students are assessed by any combination of three assessment methods:

  • Coursework such as essays and reports completed throughout the course.
  • Practical assessments of the skills and competencies they learn on the course.
  • Written examinations at the end of each course.

The exact mix of these methods differs between subject areas, years of study and individual courses.

Honours projects are typically assessed on the basis of a written dissertation.

Why Study Art History and English?

Why English

  • 94% Overall Satisfaction for Linguistics and Creative Writing. The Complete University Guide 2021
  • Rated second in the UK for the quality of Aberdeen research in English language and literature in the 2014 REF national assessment of research quality at UK universities.
  • An international profile through major literary projects such as the Cambridge Edition of the Works of Jane Austen and the Edinburgh Edition of the Waverley Novels of Sir Walter Scott.
  • The WORD Centre for Creative Writing, promoting creative projects in fiction, non-fiction and collaborative mixed-media in all the languages of northeast Scotland (from Doric to Polish).
  • The spectacular, award-winning Sir Duncan Rice Library, home to literary treasures collected over 500 years, charting the power of the written word from ancient papyri and medieval manuscripts to contemporary e-books and other media.
  • Historic collections including rare printed books, the 12th century Aberdeen Bestiary, MacBean Stuart and Jacobite Collection, the novels of Sir Walter Scott, and an exceptional collection of Charles Dickens' first editions.
  • A packed campus programme of student and public events, exhibitions, seminars, invited speakers and the annual May Festival which welcomes internationally acclaimed authors to campus every spring to discuss literature, including European writers.
  • Research centres include the nationally recognised Centre for the Novel, the Centre for Modern Thought, and the Research Institute of Irish and Scottish Studies.

Why Art History

  • Ranked the leading university in Scotland for the impact of Art History research, and second in the UK in the latest UK Research Excellence Framework.
  • Teaching rated ‘Highly Satisfactory’ in the last national Teaching Quality Assessment.
  • Our magnificent art collection, including the generous gifts of alumni through the centuries, and modern artworks by leading Scottish artists making our spaces special, and adding thought-provoking inspiration to our campus.
  • The inspiration of the beautiful King’s College Chapel, begun in 1495 by University founder Bishop Elphinstone, a treasure-house of history, showcasing some of the finest work of medieval craftsmen in Europe.
  • Spectacular, award-winning Sir Duncan Rice Library with an excellent modern collection of art history books covering all periods, particularly strong in 18th and 19th century material, including art theory and criticism, archaeology and travel.
  • Home to the Buildings of Scotland Project, funded by the Leverhulme Trust, the definitive inventory of Scottish Architecture for Aberdeenshire, Moray and Aberdeen.
  • Historic treasures including important medieval manuscripts and estate papers, and the unique George Washington Wilson archive with over 45,000 original glass plate negatives made by this pioneer Victorian photographer.
  • North-east Scotland’s distinguished architectural heritage from the Middle Ages onwards, the Aberdeen Art Gallery collections of French and British art, including one of the best collections of Victorian painting outside London.
  • The National Galleries of Scotland, the Burrell Collection, Glasgow Art Gallery and the Hunterian Museum are within easy reach by train, bus or car.
  • Visits to major galleries and architecture in Edinburgh, London and Paris, as part of your programme, and a final year week-long visit to a city of artistic and cultural significance – most recently Paris.
  • A packed campus programme of student and public events, exhibitions, seminars, invited speakers, and the annual May Festival which includes tours and talks on our medieval architecture and art treasures.

Entry Requirements

Qualifications

The information below is provided as a guide only and does not guarantee entry to the University of Aberdeen.


General Entry Requirements

2022 Entry
2023 Entry

SQA Highers

Standard: AABB

Applicants who have achieved AABB (or better), are encouraged to apply and will be considered. Good performance in additional Highers/ Advanced Highers may be required.

Minimum: BBB

Applicants who have achieved BBB (or are on course to achieve this by the end of S5) are encouraged to apply and will be considered. Good performance in additional Highers/Advanced Highers will normally be required.

Adjusted: BB

Applicants who have achieved BB, and who meet one of the widening participation criteria are encouraged to apply and will be considered. Good performance in additional Highers/Advanced Highers will be required.

More information on our definition of Standard, Minimum and Adjusted entry qualifications.

A LEVELS

Standard: BBB

Minimum: BBC

Adjusted: CCC

More information on our definition of Standard, Minimum and Adjusted entry qualifications.

International Baccalaureate

32 points, including 5, 5, 5 at HL.

Irish Leaving Certificate

5H with 3 at H2 AND 2 at H3.

Entry from College

Advanced entry to this degree may be possible from some HNC/HND qualifications, please see www.abdn.ac.uk/study/articulation for more details.

SQA Highers

Standard: AABB

Applicants who have achieved AABB (or better), are encouraged to apply and will be considered. Good performance in additional Highers/ Advanced Highers may be required.

Minimum: BBB

Applicants who have achieved BBB (or are on course to achieve this by the end of S5) are encouraged to apply and will be considered. Good performance in additional Highers/Advanced Highers will normally be required.

Adjusted: BB

Applicants who have achieved BB, and who meet one of the widening participation criteria are encouraged to apply and will be considered. Good performance in additional Highers/Advanced Highers will be required.

More information on our definition of Standard, Minimum and Adjusted entry qualifications.

A LEVELS

Standard: BBB

Minimum: BBC

Adjusted: CCC

More information on our definition of Standard, Minimum and Adjusted entry qualifications.

International Baccalaureate

32 points, including 5, 5, 5 at HL.

Irish Leaving Certificate

5H with 3 at H2 AND 2 at H3.

Entry from College

Advanced entry to this degree may be possible from some HNC/HND qualifications, please see www.abdn.ac.uk/study/articulation for more details.

The information displayed in this section shows a shortened summary of our entry requirements. For more information, or for full entry requirements for Arts and Social Sciences degrees, see our detailed entry requirements section.


English Language Requirements

To study for an Undergraduate degree at the University of Aberdeen it is essential that you can speak, understand, read, and write English fluently. The minimum requirements for this degree are as follows:

IELTS Academic:

OVERALL - 6.0 with: Listening - 5.5; Reading - 5.5; Speaking - 5.5; Writing - 6.0

TOEFL iBT:

OVERALL - 78 with: Listening - 17; Reading - 18; Speaking - 20; Writing - 21

PTE Academic:

OVERALL - 59 with: Listening - 59; Reading - 59; Speaking - 59; Writing - 59

Cambridge English B2 First, C1 Advanced or C2 Proficiency:

OVERALL - 169 with: Listening - 162; Reading - 162; Speaking - 162; Writing - 169

Read more about specific English Language requirements here.

International Applicants who do not meet the Entry Requirements

The University of Aberdeen International Study Centre offers preparation programmes for international students who do not meet the direct entry requirements for undergraduate study. Discover your foundation pathway here.

Fees and Funding

You will be classified as one of the fee categories below.

Fee information
Fee category Cost
RUK £9,250
Tuition Fees for 2022/23 Academic Year
EU / International students £19,800
Tuition Fees for 2022/23 Academic Year
Home Students £1,820
Tuition Fees for 2022/23 Academic Year

Scholarships and Funding

Students from England, Wales and Northern Ireland, who pay tuition fees may be eligible for specific scholarships allowing them to receive additional funding. These are designed to provide assistance to help students support themselves during their time at Aberdeen.

Additional Fees

  • In exceptional circumstances there may be additional fees associated with specialist courses, for example field trips. Any additional fees for a course can be found in our Catalogue of Courses.
  • For more information about tuition fees for this programme, including payment plans and our refund policy, please visit our InfoHub Tuition Fees page.

Our Funding Database

View all funding options in our Funding Database.

Careers

There are many opportunities at the University of Aberdeen to develop your knowledge, gain experience and build a competitive set of skills to enhance your employability. This is essential for your future career success. The Careers and Employability Service can help you to plan your career and support your choices throughout your time with us, from first to final year – and beyond.

Our Experts

Information About Staff Changes

You will be taught by a range of experts including professors, lecturers, teaching fellows and postgraduate tutors. Staff changes will occur from time to time; please see our InfoHub pages for further information.

Discover Uni

Discover Uni draws together comparable information in areas students have identified as important in making decisions about what and where to study. You can compare these and other data for different degree programmes in which you are interested.

Get in Touch

Contact Details

Address
Student Recruitment & Admissions
University of Aberdeen
University Office
Regent Walk
Aberdeen
AB24 3FX