Lecturer
- About
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- Email Address
- christina.ballico@abdn.ac.uk
- School/Department
- School of Language, Literature, Music and Visual Culture
Biography
Hailing from Perth, Western Australia, I research and teach in the field of popular music studies. I am the editor of Geographically Isolated and Peripheral Music Scenes: Global insights and perspectives (Palgrave, 2021), and the co-editor of Music Cities: Evaluating a global cultural policy concept (Palgrave, 2020). I am the Treasurer of the International Association for the Study of Popular Music (IASPM), a Collaborator with the Center for Music Ecosystems, and an Editorial Board Member for the Anthem Impact in Music Business, Technology and Culture series. I am currently an External Examiner for the MA Music Business Management course at the University of Westminster and have undertaken research consultancies for music advocacy bodies and state government arts' departments in Australia. I was the Research Fellow (2016 - 2019) on the Australian Research Council Linkage Project, Making Music Work: Sustainable portfolio careers for Australian musicians (LP 150100497).
My research is primarily focused on examining the structure and function of place-based music industries and scenes, including their associated career, business, and infrastructure development, and music-related urban governance. It considers the role of music in creative and cultural cities paradigms - including the music cities concept and emergent music ecosystems framework - and places a strong focus on the influences of locality, particularly geographical isolation and peripherality, on the ways in which music industries and scenes function.
I am writing a manuscript for the Bloomsbury 33 1/3 Oceania series on The Triffids' breathtaking 1986 album Born Sandy Devotional, while continuing to expand on my research agenda in music's relationship to place. This includes upcoming research and publishing projects exploring the capacity for arts and cultural engagement within chronourbanist frameworks, and the place-specific impacts of creative and cultural cities frameworks and associated initiatives.
External Memberships
Treasurer, International Association for the Study of Popular Music (IASPM): 2025 - Present
External Examiner, MA Music Business Management (University of Westminster): 2024 - PresentEditorial Board Member, Anthem Impact in Music Business, Technology and Culture series: 2024 - Present
Collaborator, Center for Music Ecosystems: 2021 - Present
Member-at-Large, International Association for the Study of Popular Music (IASPM): 2023 - 2025Editorial Board Member, IASPM Journal: 2019 - 2023
- Publications
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Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry.
Perfect Beat, vol. 16, no. 1-2Contributions to Journals: Articles- [ONLINE] DOI: https://doi.org/10.1558/prbt.v16i1-2.23973
The people who watch the bands are the people who are in the bands: The influence of social networks and social capital on creative and business activity in local music scenes.
Chapters in Books, Reports and Conference Proceedings: Conference Proceedings- [ONLINE] https://www.iaspm-anz.com
Perth bands were all the rage man!: Routes, routines and roots of popular music explored through the end of fashion.
Chapters in Books, Reports and Conference Proceedings: Conference ProceedingsAlive and gigging: An exploration of the role of the live music environment in the Perth indie pop/rock music industry.
Chapters in Books, Reports and Conference Proceedings: Conference ProceedingsTyranny of distance: Viability and relevance in regional live music performance.
Unesco Observatory, vol. 1, no. 5Contributions to Journals: Articles
