PhD, University of Edinburgh (1993); AB, Dartmouth College, Hanover, NH (1983)
The Elphinstone Institute MacRobert Building King's College Aberdeen AB24 5UA
I am a folklorist specializing in Scots and Gaelic song, along with custom and belief, community craft traditions and their relevance in today's world, and fieldwork methodology. Of particular interest is the relationship of traditional practices to the individual, the role of creativity in tradition, and how traditional skills can help build individual and community resilience in challenging times.
As part of the James Madison Carpenter Project team, I have been working with cylinder and disc recordings of North-East singers made between 1929 and 1935, leading towards publication of a critical edition of the collection. The project has been funded by the British Academy and the National Endowment for the Humanities under the auspices of the American Folklore Society, and in association with the Library of Congress, Washington, DC (www.abdn.ac.uk/elphinstone/carpenter).
Ongoing research with boatbuilding traditions looks at the idea of 'knowing by doing': how people young and old learn embodied craft skills by imitation, proximity, and osmosis, and how these skills enhance people's cultural confidence and self esteem.
My postgraduate teaching includes Custom and Belief, Scots and Gaelic Song, along with Fieldwork and Archiving methodology. I have organized a number of conferences, including the 1999 and 2007 Kommission für Volksdichtung ballad conference.
In 1993, I established the North East Folklore Archive at Mintlaw, Aberdeenshire as part of my work as Traditional Music Resident for Banff and Buchan District Council (now Aberdeeenshire), 1993-1996. The archive has continued to develop under the direction of Gavin Sutherland and much of my fieldwork material is now available on the web at the Banff and Buchan Collection.
Current research includes:
- Scotland's fire festivals, particularly the burning of the Clavie in Burghead, Moray;
- Creativity within traditional forms
- Craft traditions and knowing by doing
- New England vernacular architecture;
- The effects of field collection in the North-East;
- Macaronic song traditions;
- The relationship of memory and song in west coast Gaelic communities.
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Singing Families of Aberdeenshire: Context, Structure and MeaningRitsumeikan Studies in Language and Culture, vol. 28, no. 1, pp. 59-78Contributions to Journals: Articles
Born in a Bow Tent: An Ambiguous Symbol of Scottish Traveller IdentityContributions to Conferences: Papers
Oil WivesContributions to Conferences: Oral Presentations
Stories beyond the Text: Contextualizing Narratives and 'The Jolly Beggar'Narrative Cultures, vol. 2, no. 2, pp. 208-226)Contributions to Journals: Articles
- [ONLINE] DOI: https://doi.org/10.13110/narrcult.2.2.0208
Building Boats, Building Social ResilienceContributions to Conferences: Oral Presentations
Champion Fiddler Gordon Passes AwayLeopard MagazineContributions to Specialist Publications: Articles
Integrating Textures of Life and Song: Constructing Tradition through Narrated AssociationЛюбовь деревенская vs. любовь городская: версия русских народных песен. Huttu-Hiltunen, P., Lukin, K., Stepanova, E. (eds.). Nord PrintChapters in Books, Reports and Conference Proceedings: Chapters
Stories Beyond the TextContributions to Conferences: Oral Presentations
Studimi i Folklorit në Kontekst: Baladat, Barkat dhe Festivalet e Zjarrit në Veri të SkocisëGjurmime Albanologjike, no. 44, pp. 273-292Contributions to Journals: Articles
Review of The Ballad Repertoire of Anna Gordon, Mrs Brown of FalklandJahrbuch des Deutschen Volksliedarchivs Freiburg, vol. 57, pp. 447–450Contributions to Journals: Reviews of Books, Films and Articles