
Research Fellow
- About
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- Office Address
- School/Department
- School of Language, Literature, Music and Visual Culture
Biography
Amin is an interdisciplinary researcher in musicology, anthropology, post-structuralist psychoanalysis & discourse analysis from Iran. He focuses on the links between musical creativity and subjectivity, the regimes of truth, and the transformations of the paradigms.
Now, his current research at the University of Aberdeen as a Leverhulme Early Career Research Fellow examines the anxieties migrant musicians in Europe experience around integration, drawing on an interdisciplinary framework of musicology and psychoanalysis.
His previous postdoctoral research was an understanding of the often neglected relationships between the creative processes of the practice of rock music by the Iranian youth in the making of their subjectivity and the characteristics of the social space of the Iranian university that they attend to, as a unique social space in contemporary Iran.
His PhD Thesis was on antagonism in popular music of post-revolution Iran, focused on the events and cases between 2013 and 2018, especially in regards to the politics of culture and everyday musical practices.
His MA dissertation looked into revivalist discourses in music institutions of Pahlavi II Era (the 1960s) and examined how policies, artistic values and self awareness fundamentally changed the context and content of the classical Iranian music.
Qualifications
- PLTHE Professional Learning and Teaching in Higher Education2023 - University of Aberdeen
- PhD Media Studies (Popular Music)2019 - SOAS, University of London
Memberships and Affiliations
- Internal Memberships
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Interdisciplinary Human-Centred AI Research Network (HCAI)
- External Memberships
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- British Psychoanalytic Council (Scholars' Network)
- Freud Museum London
- British Forum for Ethnomusicology
- Royal Musical Association
- Asia House (London)
Latest Publications
Tataloo and His Multiple Morphologies
The Nightingale RebelsChapters in Books, Reports and Conference Proceedings: ChaptersOn the History of Iranian Popular Music in Germany
Non-textual Forms: Web Publications and WebsitesSoundtrack of the Revolution: The Politics of Music in Iran, by Nahid Siamdoust
Middle East Journal of Culture and Communication, vol. 13, pp. 117-122Contributions to Journals: Reviews of Books, Films and Articles- [ONLINE] DOI: https://doi.org/10.1163/18739865-01301008
- [ONLINE] http://dx.doi.org/10.1163/18739865-01301008
Sonic Performances in a Time of Turmoil in Contemporary Iran
Music and Arts in Action, vol. 7, no. 1Contributions to Journals: ArticlesNoses of London: comparative understanding of the olfaction and pollution of the capital since the 19h century
Contributions to Conferences: Oral Presentations
- Research
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Research Overview
- Subjectivity
- Musical Productivity
- Social Integration
- Migration
Research Areas
Music
Psychology
Ethnology, Folklore, and Ethnomusicology
Sociology
Research Specialisms
- Cultural Studies
- Music
- Social Sciences
- Psychology
Our research specialisms are based on the Higher Education Classification of Subjects (HECoS) which is HESA open data, published under the Creative Commons Attribution 4.0 International licence.
Integration and the Making of Subjectivity via Musical Creativity
Drawing on interdisciplinary methodologies, this research examines how different generations of Iranian diasporic musicians in the UK constitute their subjectivity and facilitate social integration via musical creative processes. In so doing, I offer an innovative approach to an established body of research in ethnomusicology on migration by applying psychoanalytical frameworks to existing issues around the relationship between diasporic creativity and social integration and multiculturalism.
Funding and Grants
- Leverhulme Early Career Fellowship (2022-2025) postdoctoral research at the University of Aberdeen, UK.
- Postdoctoral Grant and Seminar Hosting (2020-21) From Vice-Presidency of Science & Technology to Institute for Social and Cultural Studies, Iran.
- PhD Scholarships: fee & maintenance (2014-17) From Felix to SOAS, University of London, UK.
- Publications
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Tataloo and His Multiple Morphologies
The Nightingale RebelsChapters in Books, Reports and Conference Proceedings: ChaptersOn the History of Iranian Popular Music in Germany
Non-textual Forms: Web Publications and WebsitesSoundtrack of the Revolution: The Politics of Music in Iran, by Nahid Siamdoust
Middle East Journal of Culture and Communication, vol. 13, pp. 117-122Contributions to Journals: Reviews of Books, Films and Articles- [ONLINE] DOI: https://doi.org/10.1163/18739865-01301008
- [ONLINE] http://dx.doi.org/10.1163/18739865-01301008
Sonic Performances in a Time of Turmoil in Contemporary Iran
Music and Arts in Action, vol. 7, no. 1Contributions to Journals: ArticlesNoses of London: comparative understanding of the olfaction and pollution of the capital since the 19h century
Contributions to Conferences: Oral PresentationsRethinking the Puzzled Relationship between Music and Islam in Contemporary Iran
Contributions to Conferences: Oral PresentationsClientelism in Contemporary Iranian Popular Music
Contributions to Conferences: Oral PresentationsMathematics of Separation: Alternative Identities and Digital Music in Iran
Contributions to Conferences: Oral PresentationsPower and Resistance in Iranian Popular Music
Popular Music Studies Today. Merrill, J. (ed.). Springer, pp. 129-138, 10 pagesChapters in Books, Reports and Conference Proceedings: ChaptersA Discursive Study of Music in Iran during the 1960s
The Middle East in London, vol. 12, no. 2, pp. 9-10Contributions to Journals: Articles