| Delgatie Castle |
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Delgatie Castle dates from about 1030. The main tower dates from the 1100s while its final extension with the battlement walk above the string course was completed in 1579. Both wings were added in 1743. From 1314 until the recent death of Captain Hay of Delgatie the castle has belonged to the Hay family. It is now managed by a charitable trust. The painted ceilings from 1592 and 1597 are amongst the finest surviving in Scotland. Their iconography has interesting comparisons to the much earlier Aberdeen Bestiary and even earlier Pictish sculpture. See The Pictish Arts Society The castle boasts an eclectic range of architectural decorations and sculpture. Delgatie is open daily from 10a.m. to 5p.m. every day throughout the year and is only closed Christmas and New Year weeks. There is also a tearoom serving home baking and snacks. Accommodation is available see Delgatie's own site for details www.delgatiecastle.com or e.mail Delgatie Castle
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| Delgatie Doocot |
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An unusual pink harled circular structure with three tiers of decreasing diameter. A circular dovecot in good repair: three sharply diminishing stages with batten, rubble-built. Entrance with chamfer and relieving arch, widened at lower courses. 708 stone nesting boxes. Similar to those at Auchry and Huntly but appears to be considerably older.
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| Delgatie, Maries Bower |
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A text work painted on the ceiling beams in a room reputed to have provided lodging for Mary Queen of Scots, this painting confuses me as the text is the same as 2 stanzas in the poem "Kilmeny" by James Hogg 1770–1835 (it is a part of her prophetic vision during her stay among the fairies) . I admit my ignorance, I do not know if the ceiling painting is in fact a modern work or if this part of the poem was copied by Hogg from an earlier source.
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| Dog statue, Delgatie |
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Gatepost ornament, Red sandstone carving of a dog? holding a shield. The late Captain Hay of Delgatie was an inveterate collector and the castle has many decorative elements that are now difficult to attribute to exact dates and provenances.
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| Faddonhill Farms Sign |
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A silhouette farm sign in the shape of a fat ox. These cut out signs were once ubiquitous in the area in the forms of pigs, cattle, horses and etc. they are now becoming rare. The original 20th century sign (illustrated here for reference) was replaced in 2004 after storm damage. The new sign retains the ox of the original but the painted lettering has been replaced with gilded cut out metal lettering and 2 decorative gilded fleur de lys.
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| Fintry, school shelter murals |
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Murals to act as ball game targets the pupils of this small village school. The paintings were done by the
pupils and head teacher with support from the art specialist.
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| Forglen War Memorial |
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Of a more original design than most war memorials. It is a tall rectangular block of granite which is capped with a pyramidal shape with small projecting points at each corner. The names are carved in wide bands around all sides of the obelisk on two sides they are extremely clear while the other two are rather weathered. On the front face near the base is a carved wreath with 1914 , 1918 within it. It sits on a cross-shaped two-step plinth with a step up on either side. It commemorates the dead of both World War I & II.
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| Fyvie 1 |
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Fyvie Parish Church is at the east end of Fyvie, on the south side of the B9005. Set in the east wall of the church are three worn Pictish class I symbol stones, all have been trimmed.
Fyvie 1 was once built into the wall of the schoolhouse. On it is the 'elephant' or 'Pictish Beast' symbol, the bottom part of a 'crescent and V rod' and most of a 'mirror' symbol.
Fyvie Church also contains important stained glass by L. C. Tiffany. South-east of the church in a railed enclosure, marked by an obelisk is the old tombstone of "Mill of Tifty's Annie" (1673), subject of the eponymous ballad.
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| Fyvie 2 |
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Fyvie Parish Church is at the east end of Fyvie, on the south side of the B9005. Set in the east wall of the church are three worn Pictish class I symbol stones, all have been trimmed.
Fyvie 2 was found built into the wall of the church. On it is the right hand part of a 'double disc symbol' and the centre part of an 'eagle symbol' facing left to right.
Fyvie Church also contains important stained glass by L. C. Tiffany. South-east of the church in a railed enclosure, marked by an obelisk is the old tombstone of "Mill of Tifty's Annie" (1673), subject of the eponymous ballad.
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| Fyvie church fountain |
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A polished pink granite fountain in a neo-gothic style. Inscribed ‘ Presented by captain A.H. Gordon 1875 John 13 – 14’
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| Fyvie Cross |
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Corrennie granite Cross (erected 1868) and cairn – all
that remains on the site of the former St Mary’s priory Fyvie a cell of Arbroath Abbey. Founded in
1285 by Reginald de Cheyne. (the last traces, of the buildings, vanished in 18th century).
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| Fyvie stone carved relief figure holding head |
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Stone carved figure covering face with hand, the other hand appears to be cradling the head of an infant at waist height. Interpretation is slightly speculative as the stone is quite badly eroded.
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| The 1592 Ceiling, Delgatie |
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This ceiling is decorated on the beams only, mostly with a long inscription on the sides, with decorative work on the underside.
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| The 1597 Ceiling, Delgatie |
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One of the most important surviving 16th century painted ceilings in Scotland The iconography has interesting comparisons to the much earlier Aberdeen Bestiary and even earlier Pictish sculpture.
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| The 1800 Laundry, Delgatie |
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A curiously and ornately decorated small cottage. With ogee window arches, gothic finials at the ends of the gables and a motif of ox yokes.
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| The False Doocote, Delgatie detail |
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A beautiful little stone carved dove.
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| The Faux Doocote, Delgatie |
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The facade of a Gothic style doocote rebuilt beside the castle.
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| Turra Coo |
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A life size bronze cow decorated with cast garlands and a rope halter, behind the cow is a series of cast cow footprints. On the right flank in slightly raised and differently coloured metal representing the painted lettering on the historical "Turra Coo" at her return, are the words "FREE !! DIVN'T YE WISH THAT YE WERE ME". The sculpture was created by a casting process from an actual cow's body. The historical coo was an Ayrshire cross Shorthorn, no suitable cow of that variety could be obtained so the animal used, a Jersey-Blonde cross, was picked as similar looking to photographs of the original beast. Also illustrated are examples of the "Coo Heads" created by Turriff Academy pupils during the education package associated with the sculpture project and exhibited in the town shops during the month of the unveiling.
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| Turriff Mercat Cross |
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The present 20 foot high cross was erected in 1865 and is made from red sandstone like most of the town. Octagonal pillar rises from a Gothic style base by James Duncan with sculptures by Thomas Goodwillie
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