The Aberdeen Bestiary

Folio 3r - Creation of man


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Commentary, Translation and Transcription

These sections are located below the image on each page, scroll down page and click on the tabs to view them. It is also possible to view the translation alongside the image by clicking the translation icon in the toolbar

It is not part of the project to provide a definitive edition of the text of the Bestiary, but to help readers by providing a transcription and translation of the text. Currently the following editorial conventions obtain:

Text

  1. The original capitalisation is retained, but capitals have been added for personal and place names, excluding deus and diabolus.
  2. The original punctuation, including a point and inverted semi-colon (both serving as commas), and a point (serving as a full stop), is represented by comma, full stop and question-mark; a colon has been inserted before quotations.
  3. Suggested readings are in [ ].
  4. Variants from other Bestiary texts (eg Ashmole 1511 and Patrologia Latina 176) are added where they indicate a corruption, elucidate a meaning and replace excised text. They are represented as [A: PL:]

Translation

  1. Direct quotations from the Bible, where identified, are cited from the Authorised Version in ( ).
  2. Paraphrased quotations are identified where possible and indicated as: (see Job, 18:22).
  3. Suggested translations of corrupt words are in [ ].
  4. Capitalisation is sparing; additional punctuation has been used where necessary to give the sense. Paragraphs have been created to break up the text.
And God said, Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the beasts, and over all the earth, and over every creeping thing that creepeth upon the earth. So God created man in his own image, in the image of God created he him; male and female created he them. And God blessed them, and God said unto them, Be fruitful and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth. And God saw every thing that he had made, and, behold it was very good. And the evening and the morning were the sixth day. Thus the heavens and earth were finished, and all the host of them. And on the seventh day God ended his work which he had made; and he rested on the seventh day from all his work which he had made' (Genesis, 1:26-28, 31; 2:1-2).

Text

Genesis 1:26-28, 31; 1:1-2.

Illustration

the Creation of Eve. A dominating God is squeezed into the frame and is shown in a three-quarters view as on the preceding two folios. He wears a red tunic and blue gown and is beardless. His right arm is raised and his left arm supports Eve's elbow. He stands on Adam's foot. Eve springs from Adam's side, holding his shoulder. Adam leans on a floating rock decorated with filigree designs. The paint surface has been partially scraped. Some lines and margins visible. There are prick marks for pouncing on Adam and Eve. Initial type 3.

Folio Attributes

  • Pricking

    Pricking

    Pricking
    Line pricking and ruling. Detail from f.7r

    Once the quires were arranged they had to be prepared for writing by drawing up the lines. Tiny parallel pinpricks were made on the outer and inner edges of each page and horizontal lines ruled between them. In a completed book these pinpricks should have been trimmed off during the final stages of production but in the Aberdeen Bestiary they have survived in 12 out of the 15 quires (only E , G and M are fully trimmed). Careful measuring shows that the holes were pricked with the quires folded up, using a long pointed pricker, because they are the same distance apart throughout an entire quire. In quires B and C there is a double hole on the penultimate line, indicating to the person ruling lines that the page is about to end. In these two quires the holes have a coarse triangular shape and are set up to 6mm in from the edge. Elsewhere the holes are smaller, circular and much closer to the edge. Pinpricks were also made at the top and bottom of the pages to provide vertical margins. These survive in every quire. In quires A.F,H,J,K,L,M and N there are single pricks for the vertical lines. In B and C there are double pricks and double margins while in G there are double pricks and a variety of single and double ruled lines. On f.48r (quire G) where there are double pricks for the margins, the wrong holes have been joined and the faulty diagonal line has been redrawn correctly.

  • Ruling

    Ruling

    Ruling
    Ruling continues under the illustration. Detail from f.16r

    After the leaves had been pricked, they were ready for ruling. Most pages up to quire F have 29 lines (except for the heavily illustrated quire A). The remaining quires use 28, 30 or 31 lines. The most regular ruling is found in B and C: the two top and bottom lines extend across the whole page. The lines in A, B and C are ruled in a grey colour. From D onwards the lines are a darker brown. The horizontal lines here are also neater, not overlapping the vertical margins. This would suggest that the ruling in A,B and C was done by a different person from the rest. In D and E there is a triple spaced double line across the top and bottom of the page but thereafter the ruling patterns become somewhat arbitrary. Sometimes there are double spaced top and bottom lines, sometimes the number of lines varies. On f.18v, the normal pattern of 29 lines is inadequate. It would appear that the scribe himself had to add two additional lines below the bottom margin, in order to complete his tale. Generally, the written space is 185 x 110/115mm. The ruling appears to have been made without any plan for the illuminations: on f.14r and f.16r the ruled lines pass under the illustration. Two pairs of leaves were left blank. F.3v-f.4r were probably intended to be glued together in order to support the weight of paint and gold leaf on f.4v. f.6r and f.6v precede the Lion story. In the Ashmole Bestiary, the lion has two full page illustrations, which were probably intended here. Two pairs of leaves are glued together. F.56r has a hole in it, which is concealed by being glued to the next page, f.56v. F.93r is glued to f.93v, probably because of the gilded double illumination on f.93v.

  • Pouncing

    Pouncing

    Pouncing
    Pouncing. Detail of Hyena from f.11v

    Pouncing is a method of copying images from one sheet of vellum to another by making a series of tiny prick marks around the required image. The image would be pricked straight through to a sheet below. This would become the template from which several copies could be made without further harm to the original. The pricked sheet would be sprinkled with a very fine dust like charcoal or pumice, which would trickle through the holes producing the required image below. It was a convenient way to duplicate images in a scriptorium where many similar copies of a book were required. Although the Ashmolean Bestiary has very similar images to the Aberdeen Bestiary, in general their different proportions show that they were not a direct copy. The evidence of pouncing in the Aberdeen Bestiary suggests that there was yet another member of this family of manuscripts, directly dependent on the Aberdeen design. Images marked in this way are on f.2r fishes, f.3r the creation of Eve (more visible on f.3v), f.11v hyena, f.12v ape, f.18r dog, f.24r mole, f.36v hoopoe, f.37r magpies, f.51v bat, f.54r partridge, f.56r phoenix, f.59r ducks, f.59v peacock, f.63r bees, f.66v vipers, f.68v anphivena, f.69v seps. In most cases it is impossible to tell when the pouncing took place but the Aberdeen Bestiary has evidence that some pictures were done while the book was being made and some were done after completion (Clark 1992,107). The Creation of Eve (f.3r) and the phoenix (f.56r) are both punched and blank on the verso. The two pages after the phoenix are blank and glued together, thus preventing the pricks on f.56r from damaging the new f.56v. The same can be observed at f.3r which is followed by two blanks and the next image on f.4v. Clearly these were intended to be stuck together to minimise the effect of pricking around Eve, and to support the heavy layers of paint and gold of the Christ in Majesty. Decisions to leave these blank pages must have been made while the drawings were being produced. Elsewhere the pouncing damages the other side of the folio, often including an illumination. These incursions must have been made after the book was complete.

Transcription

D\ixit quoque deus:\ Faciamus\ hominem \ ad yma\ginem\ et similitu\dinem\ nostram\ et presit\ piscibus\ maris et\ volatilibus\ celi,\ et be\stiis uni\verseque creature [terre], omnique reptili quod movetur in terra.\ Et creavit deus hominem ad ymaginem et similitudi\nem suam, ad ymaginem dei creavit illum, masculum \ et feminam creavit eos. Benedixitque illis deus, et ait: Cresci\te et multiplicamini, et replete terram et subicite eam, et do\minamini piscibus maris et volatilibus celi, et universis a\nimantibus que moventur super terram. Viditque deus cuncta que fecit,\ et erant valde bona. Et factum est vespere et mane dies sextus. Igitur perfec\ti sunt celi et terra, et omnis ornatus eorum. Complevitque deus septimo opus\ suum quod fecerat, et requievit die septimo, ab omni opere quod patrarat.

Translation

And God said, Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the beasts, and over all the earth, and over every creeping thing that creepeth upon the earth. So God created man in his own image, in the image of God created he him; male and female created he them. And God blessed them, and God said unto them, Be fruitful and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth. And God saw every thing that he had made, and, behold it was very good. And the evening and the morning were the sixth day. Thus the heavens and earth were finished, and all the host of them. And on the seventh day God ended his work which he had made; and he rested on the seventh day from all his work which he had made' (Genesis, 1:26-28, 31; 2:1-2).
  • Commentary

    Text

    Genesis 1:26-28, 31; 1:1-2.

    Illustration

    the Creation of Eve. A dominating God is squeezed into the frame and is shown in a three-quarters view as on the preceding two folios. He wears a red tunic and blue gown and is beardless. His right arm is raised and his left arm supports Eve's elbow. He stands on Adam's foot. Eve springs from Adam's side, holding his shoulder. Adam leans on a floating rock decorated with filigree designs. The paint surface has been partially scraped. Some lines and margins visible. There are prick marks for pouncing on Adam and Eve. Initial type 3.

    Folio Attributes

    • Pricking

      Pricking

      Pricking
      Line pricking and ruling. Detail from f.7r

      Once the quires were arranged they had to be prepared for writing by drawing up the lines. Tiny parallel pinpricks were made on the outer and inner edges of each page and horizontal lines ruled between them. In a completed book these pinpricks should have been trimmed off during the final stages of production but in the Aberdeen Bestiary they have survived in 12 out of the 15 quires (only E , G and M are fully trimmed). Careful measuring shows that the holes were pricked with the quires folded up, using a long pointed pricker, because they are the same distance apart throughout an entire quire. In quires B and C there is a double hole on the penultimate line, indicating to the person ruling lines that the page is about to end. In these two quires the holes have a coarse triangular shape and are set up to 6mm in from the edge. Elsewhere the holes are smaller, circular and much closer to the edge. Pinpricks were also made at the top and bottom of the pages to provide vertical margins. These survive in every quire. In quires A.F,H,J,K,L,M and N there are single pricks for the vertical lines. In B and C there are double pricks and double margins while in G there are double pricks and a variety of single and double ruled lines. On f.48r (quire G) where there are double pricks for the margins, the wrong holes have been joined and the faulty diagonal line has been redrawn correctly.

    • Ruling

      Ruling

      Ruling
      Ruling continues under the illustration. Detail from f.16r

      After the leaves had been pricked, they were ready for ruling. Most pages up to quire F have 29 lines (except for the heavily illustrated quire A). The remaining quires use 28, 30 or 31 lines. The most regular ruling is found in B and C: the two top and bottom lines extend across the whole page. The lines in A, B and C are ruled in a grey colour. From D onwards the lines are a darker brown. The horizontal lines here are also neater, not overlapping the vertical margins. This would suggest that the ruling in A,B and C was done by a different person from the rest. In D and E there is a triple spaced double line across the top and bottom of the page but thereafter the ruling patterns become somewhat arbitrary. Sometimes there are double spaced top and bottom lines, sometimes the number of lines varies. On f.18v, the normal pattern of 29 lines is inadequate. It would appear that the scribe himself had to add two additional lines below the bottom margin, in order to complete his tale. Generally, the written space is 185 x 110/115mm. The ruling appears to have been made without any plan for the illuminations: on f.14r and f.16r the ruled lines pass under the illustration. Two pairs of leaves were left blank. F.3v-f.4r were probably intended to be glued together in order to support the weight of paint and gold leaf on f.4v. f.6r and f.6v precede the Lion story. In the Ashmole Bestiary, the lion has two full page illustrations, which were probably intended here. Two pairs of leaves are glued together. F.56r has a hole in it, which is concealed by being glued to the next page, f.56v. F.93r is glued to f.93v, probably because of the gilded double illumination on f.93v.

    • Pouncing

      Pouncing

      Pouncing
      Pouncing. Detail of Hyena from f.11v

      Pouncing is a method of copying images from one sheet of vellum to another by making a series of tiny prick marks around the required image. The image would be pricked straight through to a sheet below. This would become the template from which several copies could be made without further harm to the original. The pricked sheet would be sprinkled with a very fine dust like charcoal or pumice, which would trickle through the holes producing the required image below. It was a convenient way to duplicate images in a scriptorium where many similar copies of a book were required. Although the Ashmolean Bestiary has very similar images to the Aberdeen Bestiary, in general their different proportions show that they were not a direct copy. The evidence of pouncing in the Aberdeen Bestiary suggests that there was yet another member of this family of manuscripts, directly dependent on the Aberdeen design. Images marked in this way are on f.2r fishes, f.3r the creation of Eve (more visible on f.3v), f.11v hyena, f.12v ape, f.18r dog, f.24r mole, f.36v hoopoe, f.37r magpies, f.51v bat, f.54r partridge, f.56r phoenix, f.59r ducks, f.59v peacock, f.63r bees, f.66v vipers, f.68v anphivena, f.69v seps. In most cases it is impossible to tell when the pouncing took place but the Aberdeen Bestiary has evidence that some pictures were done while the book was being made and some were done after completion (Clark 1992,107). The Creation of Eve (f.3r) and the phoenix (f.56r) are both punched and blank on the verso. The two pages after the phoenix are blank and glued together, thus preventing the pricks on f.56r from damaging the new f.56v. The same can be observed at f.3r which is followed by two blanks and the next image on f.4v. Clearly these were intended to be stuck together to minimise the effect of pricking around Eve, and to support the heavy layers of paint and gold of the Christ in Majesty. Decisions to leave these blank pages must have been made while the drawings were being produced. Elsewhere the pouncing damages the other side of the folio, often including an illumination. These incursions must have been made after the book was complete.

  • Translation
    And God said, Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the beasts, and over all the earth, and over every creeping thing that creepeth upon the earth. So God created man in his own image, in the image of God created he him; male and female created he them. And God blessed them, and God said unto them, Be fruitful and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth. And God saw every thing that he had made, and, behold it was very good. And the evening and the morning were the sixth day. Thus the heavens and earth were finished, and all the host of them. And on the seventh day God ended his work which he had made; and he rested on the seventh day from all his work which he had made' (Genesis, 1:26-28, 31; 2:1-2).
  • Transcription
    D\ixit quoque deus:\ Faciamus\ hominem \ ad yma\ginem\ et similitu\dinem\ nostram\ et presit\ piscibus\ maris et\ volatilibus\ celi,\ et be\stiis uni\verseque creature [terre], omnique reptili quod movetur in terra.\ Et creavit deus hominem ad ymaginem et similitudi\nem suam, ad ymaginem dei creavit illum, masculum \ et feminam creavit eos. Benedixitque illis deus, et ait: Cresci\te et multiplicamini, et replete terram et subicite eam, et do\minamini piscibus maris et volatilibus celi, et universis a\nimantibus que moventur super terram. Viditque deus cuncta que fecit,\ et erant valde bona. Et factum est vespere et mane dies sextus. Igitur perfec\ti sunt celi et terra, et omnis ornatus eorum. Complevitque deus septimo opus\ suum quod fecerat, et requievit die septimo, ab omni opere quod patrarat.
Folio 3r - Creation of man | The Aberdeen Bestiary | The University of Aberdeen