Last modified: 18 Jul 2017 14:45
This course traces the twentieth-century rise of American painting, in relation to contemporary developments in Europe. Beginning with America's own art tradition and its initial responses to European Modernism, the course will capture the spirit of 1920s’ Realism and 1930s’ Regionalism and Social Realism before the outbreak of World War II. We will examine how the Abstract Expressionism of Pollock and Rothko made post-war New York the new centre of Western art. Finally, the course will consider 1960s’ Pop Art and the arrival of the post-modern climate.
|Session||Second Sub Session||Credit Points||30 credits (15 ECTS credits)|
One or more of these courses have a limited number of places. Priority access will be given to students for whom this course is compulsory. Please refer to the Frequently Asked Questions for more details on this process.
This course concentrates on twentieth-century American painting from the Armory Show in 1913 onwards. It considers the rise of American painting in relation to contemporary developments in Europe, from America's indigenous tradition and its initial responses to European Modernism, the Realism of Hopper, the Regionalism of Wood and Benton to the Abstract Expressionism of Pollock. The factors governing the triumph of American painting are examined. It then considers the works of Pop Art and Super-Realism and culminates in the post-modern climate of the 1990s.
This is the total time spent in lectures, tutorials and other class teaching.
1st Attempt: 1 written assignment of 3,000 words (30%); 1 visual-based test of one hour (20%)]; class participation (10%) and 1 two-hour written examination (40%).
Group and individual verbal and written feedback will be given on the seminar presentations and discussions.