production
Skip to Content

HA3080: CARAVAGGIO AND HIS FOLLOWERS (2017-2018)

Last modified: 17 Aug 2017 13:51


Course Overview

The first half of the course is devoted primarily to the work of Caravaggio. It locates his art in the naturalistic traditions of Lombardy and Venice, but  stresses the aesthetic gulf that separates Caravaggio from his artistic sources.

Central issues include debate about whether Caravaggio was an exponent or critic of Counter Reformation ideology; the extent to which his pictures were painted directly from posed models; the nature and function of his famed 'chiaroscuro'; and how his 'realism' differed from the more 'classical' naturalism of his rival, Annibale Carracci. The course then focuses on Caravaggio's so-called 'followers'. Download course guide.

Course Details

Study Type Undergraduate Level 3
Session First Sub Session Credit Points 30 credits (15 ECTS credits)
Campus None. Sustained Study No
Co-ordinators
  • Mr John Gash

Qualification Prerequisites

  • Either Programme Level 3 or Programme Level 4

What courses & programmes must have been taken before this course?

  • Any Undergraduate Programme (Studied)

What other courses must be taken with this course?

None.

What courses cannot be taken with this course?

Are there a limited number of places available?

Yes

One or more of these courses have a limited number of places. Priority access will be given to students for whom this course is compulsory. Please refer to the Frequently Asked Questions for more details on this process.


Course Description

The first half of the course is devoted primarily to the work of Caravaggio himself. It locates the roots of his art in the predominantly naturalistic traditions of Lombardy and Venice, but also stresses the aesthetic gulf that separates Caravaggio from his supposed artistic sources.

Central issues to be addressed in the seminars include the current debate about whether Caravaggio was a dutiful exponent or covert critic of Counter Reformation ideology; the extent to which he constructed his pictures without preparatory drawings by painting directly from posed models (an allegedly novel procedure); the nature and function of his famed 'chiaroscuro'; and the ways in which his 'realism' differed from the more 'classical' naturalism of his main rival, Annibale Carracci.

The second half of the course deals with Caravaggio's so-called 'followers'.

Degree Programmes for which this Course is Prescribed

None.

Contact Teaching Time

Sorry, we don't have that information available.

Teaching Breakdown


Assessment

1st Attempt: 1 written assignment of 3,000 words (30%); 1 visual-based test of one hour (20%)]; class participation (10%) and 1 two-hour written examination (40%).

Resit: 1 two-hour written examination (100%).
NB: All coursework must have been submitted.

Formative Assessment

None.

Feedback

Feedback occurs at various stages of the course and at different levels. The two essays are returned with detailed comments both on the cover sheet and the body of the essay itself. Students are then given the opportunity to discuss their essay with the lecturer.

The lecturer's comments on student presentations in class are also designed to help students improve their skills.

Students are encouraged to discuss their chosen essay topics in advance with the course convener.

Compatibility Mode

We have detected that you are have compatibility mode enabled or are using an old version of Internet Explorer. You either need to switch off compatibility mode for this site or upgrade your browser.