Research Overview

My life and research concentrates into the notion of limit from the unique perspective of movement. This original focus which I am developing through particular practices of somatic movement (Feldenkrais and marathon running), contributes to contemporary efforts to reconceptualise liminality and opens up a direction of inquiry into the anthropology of the limit.

My research started  with my passion for running marathons where I encountered the limit of the ʻwall of the marathonerʼ. This experience takes the individual into a ‘no man’s land’ to cross a desert and face emptiness, and possibly opens to a new sense of life. The limit posed by the wall shakes up established and rigid frameworks of value by making the world ductile. As with the physical phenomenon of boiling, where bubbles of air coexist with liquid water and where matter becomes malleable, the wall sets a threshold where the individual feels precarious and exposed to transformation. It works as an unlearning practice by providing awareness and offering an experience that potentially reshapes our conception of self, freedom and intentionality, making us realize our interdependence with the world. Looking at other fields of knowledge (education, ecology, evolutionary biology and mathematics), my study shows how the limit, rather than being a border or a separating line, is a space with high educational potential, which allows one to become exposed and to ʻcut through the worldʼ. Therefore the anthropology of the limit explores the perspective offered by Ingold for anthropology as education in the sense of e-ducere, or ‘leading out’. Hence it takes the form of a philosophical practice leading out along paths of care and awareness. Within this frame, research projects are conceived as “beautiful actions” in the sense highlighted by eco-philosopher Naess (1993) and intended as creative and artistic forms of inquiry that investigate new possibilities of freedom in a neoliberal era. This way of working is situated in the borderlands between art and ecology and explores projects of recovery. An anthropology of the limit is an anthropology through movement of care and inspiration. 

Current Research

The wall of the marathoner determined an existential turn on myself. After an in-depth anthropological study of this phenomenon and a following dedicated monograph, Lungo lento. Maratona e pratica del limite (Maccagno 2015), I decided to work on the idea of the wall as a generative frame to imagine projects in which the limit could be investigated. In recent years I have been carrying out various projects conceived as practices of the limit exploring this path.  Three of them have been part of my PhD research: Running walls (Peterhead prison, northeast Scotland), Running north (the Shetland Islands) and Whiteout (several educational institutions in Italy and the UK).  These are three experiments in the sense not of testing a hypothesis or exactly reproducing ‘the wall’ but of practices of care where the limit is a condition to make possible existentially relevant experiences, opening exploratory paths of inquiry in human life. 

RUNNING WALLS

Running Walls (author ©)

What if I run the wall of the marathoner inside the walls of a prison?

Running walls is an educational project where I worked with prisoners through marathon running, Feldenkrais method and autobiography. After a first experience in the prison of Bollate in Italy (2013-2014), the project has been developed in Scotland in the prison of Peterhead (January-June 2016) in collaboration with the Edinburgh-based NGO Familiesoutside and with NHS funding. The project contrasted imprisonment with marathon running and explored the potential of juxtaposing two very different experiences that both test the human being’s capacity.  It proposed a limit experience to activate the prison and see through it a social system where the neoliberalism is expressed. Running Walls represents a pilot project for wider research at the unique intersection of different academic traditions pointing towards a new direction for a critical engagement with performance. It received the prize as best project connected to running at the Milano Marathon Awards 2014 and a recent academic publication on the Scottish Journal of performance  (Maccagno P., 2015. Running walls. The performance of the limit in prison). 

See video:  The dream of the marathon

See article: Running walls. The performance of the limit in prison

Patucchi, M., 2016. Dieci km per correre oltre il muro. La Repubblica [Online] 

Patucchi, M., 2015. Correre oltre il muro, la sfida dei detenuti. La Repubblica [Online] 

 RUNNING NORTH

Running North - postcard for crowd funding (author ©)

What if I take a north-oriented line and run it? 

Running North suggests to run along a north oriented line (as along a wall) without a programme and without an end and becoming vulnerable. It has been a pilot project where running opened ways of listening to rhythms of nature, sounds of natural elements, migrations and movements of animals. Following the inspiration of walking artist Hamish Fulton, the project includes several runs in the Cairngorms and one major run in Shetland in June 2016, when I ran Shetland from south to north, up to the island of Unst, over a period of around two weeks. It was developed in collaboration with the University of Aberdeen and CAI (the Alpine Italian Club), and received funding from the Aberdeen University Development Trust and independent crowd funding.  It suggested that a movement never really begins and ends, but emerges in entanglement with others and the environment. Running is “dwelling poetically”. 

See video: Running North

See article: Running North. La Repubblica [Online] 

WHITEOUT

Whiteout (author ©)

 What if everything flattens and becomes white?

The whiteout is a disorienting meteorological phenomenon, generally happening at high altitudes or latitudes, in which visibility is severely reduced by snow and everything becomes white. Experiencing it is like facing a ‘white wall’. This phenomenon evokes existential moments as when one faces a loss, a trauma or an economic crisis. Rather than studying it as a natural phenomenon, the project explored it as an experience of limit and investigated it from the point of view of movement through the Feldenkrais method and autobiography, by asking: How can we move without any possibility of moving forward? What is being still? Where should I direct my attention? How can we use laterality? Whiteout is research into the human potentialities of facing a ‘wall’ and discovering new possibilities of movement. It consisted of workshops (November 2015-May 2016) held in collaboration with different educational institutions in Italy and the UK (University of Aberdeen, Woodend Barn, Citymoves, University of Milan-Bicocca, Unitre, Thinkdog), and it has been developed into an art performance (August 2016). Whiteout has been presented in several academic conferences and participated to the Festival for contemporary dance, DanceLive 2016 in Aberdeen.

Videos:

Whiteout

Whiteout talk

Drawing out the white

Research Funding and Grants

2014-2017 Elphinstone Scholarship (PhD Studentship Award)

2016 NHS funding Running Walls project – Prison of Peterhead, UK

2016 Development Trust funding and independent crowd funding, Running North project

2016 Citymoves Dance Agency professional residency support, Whiteout project

2014 Milano Marathon crowd funding, Running Walls project – Prison of Bollate, IT