Dr Frauke Jurgensen
ARCT, B. Hons Mus. Theory and Composition (UWO), L. Mus. Performance (McGill), Ph. D. Musicology (McGill)
Senior Lecturer
- About
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Room 009, McRobert Building
Internal Memberships
Music Ensembles Co-ordinator
- Research
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Research Overview
Mediaeval and Renaissance compositional practice
Mediaeval and Renaissance performance practice
History of Theory
Symbolic music analysis
Computational musicology
- Teaching
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Teaching Responsibilities
Theory, harmony, and counterpoint
Music analysis
German art song
Performance practice
Early opera
Early Music Ensembles and continuo
- Publications
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Page 1 of 1 Results 1 to 10 of 10
Counterpoint is a Piece of Cake: Renaissance improvisation in a modern university course
Journal of Music Theory Pedagogy, vol. 33, pp. 85-101Contributions to Journals: ArticlesUnidentified Edges (performance)
Non-textual Forms: PerformancesBuilding an Authentic Listener: applying a passive exposure-based learning paradigm to detecting differences among compositional styles
Journal of Interdisciplinary Music Studies, vol. 8, no. 2014-2016, pp. 141-155Contributions to Journals: ArticlesPartial signatures as transmitted in the Buxheim Organ Book and its concordances
Early Music, vol. 43, no. 4, pp. 597-609Contributions to Journals: ArticlesChez Schedel
Non-textual Forms: PerformancesPolitics, religion, style and the Passamezzo Galliards of Byrd and Philips: A discussion of networks involving Byrd and his disciples
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries. Smith, D., Taylor, R. (eds.). Ashgate, pp. 71-89, 18 pagesChapters in Books, Reports and Conference Proceedings: ChaptersDe Lamentationae Jeremiae Prophetae: the extreme madrigalian harmonies of Carlo Gesualdo in the sacred Tenebrae settings for Good Friday
Non-textual Forms: PerformancesSymbolic Data Mining in Musicology
Music Data Mining. Li, T., Ogihara, M., Tzanetakis, G. (eds.). CRC Press, pp. 327-345, 19 pagesChapters in Books, Reports and Conference Proceedings: ChaptersCadential Accidentals in the Buxheim Organ Book and its Concordances: A Mid-Fifteenth-Century Context for Musica Ficta Practice
Acta Musicologica, vol. 83, no. 1, pp. 39-68Contributions to Journals: Articles- [ONLINE] http://www.jstor.org/stable/23075198
A system for identifying common melodic phrases in the masses of Palestrina
Journal of New Music Research, vol. 38, no. 2, pp. 171-181Contributions to Journals: Articles- [ONLINE] DOI: https://doi.org/10.1080/09298210903288329