Dr FRAUKE JURGENSEN

Dr FRAUKE JURGENSEN
ARCT, B. Hons Mus. Theory and Composition (UWO), L. Mus. Performance (McGill), Ph. D. Musicology (McGill)

Senior Lecturer

Overview
Dr FRAUKE JURGENSEN
Dr FRAUKE JURGENSEN

Contact Details

Telephone
work +44 (0)1224 274683
Email
Address
The University of Aberdeen Room 009, McRobert Building
Web Links

www.fraukesoprano.com

Research

Research Interests

Mediaeval and Renaissance compositional practice

Mediaeval and Renaissance performance practice

History of Theory

Symbolic music analysis

Computational musicology

Teaching

Teaching Responsibilities

Theory, harmony, and counterpoint

Music analysis

German art song

Performance practice

Early opera

Early Music Ensembles and continuo

Further Info

Admin Responsibilities

Music Ensembles Co-ordinator

Publications

Publications 

Currently viewing:

Page 1 of 2 Results 1 to 10 of 11

  • Jurgensen, F & Taylor, R 2019, Seven settings of Clarifica me Pater by Tallis, Byrd and Tomkins: Friendly emulation or friendly competition? . in DJ Smith (ed.), Aspects of Early English Keyboard Music before c.1630. Ashgate Historical Keyboard Series, Routledge, London. [Online] DOI: https://doi.org/10.4324/9781315109701
  • Aberdeen Early Music Collective, Prigionero D'Amor, 2018, Performance, Vox Regis.
  • Jurgensen, F & Palmer, GJ, Unidentified Edges (performance), 2017, Performance.
  • Jurgensen, F, Pearson, DG & Knopke, I 2017, 'Building an Authentic Listener: applying a passive exposure-based learning paradigm to detecting differences among compositional styles' Journal of Interdisciplinary Music Studies, vol. 8, no. 2014-2016, 16081205, pp. 141-155. [Online] DOI: https://doi.org/10.4407/jims.2016.12.005
  • Jurgensen, F 2015, 'Partial signatures as transmitted in the Buxheim Organ Book and its concordances' Early Music, vol. 43, no. 4, pp. 597-609. [Online] DOI: https://doi.org/10.1093/em/cav090
  • Aberdeen Early Music Collective, Chez Schedel, 2015, Performance.
  • Taylor, R & Jurgensen, F 2013, Politics, religion, style and the Passamezzo Galliards of Byrd and Philips: A discussion of networks involving Byrd and his disciples. in D Smith & R Taylor (eds), Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips's 450th Anniversary. Ashgate , Farnham, pp. 71-89.
  • Stelzenmuller, R & Ensemble Combassal, De Lamentationae Jeremiae Prophetae: the extreme madrigalian harmonies of Carlo Gesualdo in the sacred Tenebrae settings for Good Friday, 2013, Performance.
  • Knopke, I & Jurgensen, F 2012, Symbolic Data Mining in Musicology. in T Li, M Ogihara & G Tzanetakis (eds), Music Data Mining. CRC Press, pp. 327-345.
  • Jurgensen, F 2011, 'Cadential Accidentals in the Buxheim Organ Book and its Concordances: A Mid-Fifteenth-Century Context for Musica Ficta Practice' Acta Musicologica, vol. 83, no. 1, pp. 39-68.
Show 10 | 25 | 50 | 100 results per page

Update