Dr FRAUKE JURGENSEN

Dr FRAUKE JURGENSEN
ARCT, B. Hons Mus. Theory and Composition (UWO), L. Mus. Performance (McGill), Ph. D. Musicology (McGill)

Senior Lecturer

Overview
Dr FRAUKE JURGENSEN
Dr FRAUKE JURGENSEN

Contact Details

Telephone
work +44 (0)1224 274683
Email
Address
The University of Aberdeen Room 009, McRobert Building
Web Links

www.fraukesoprano.com

Research

Research Interests

Mediaeval and Renaissance compositional practice

Mediaeval and Renaissance performance practice

History of Theory

Symbolic music analysis

Computational musicology

Teaching

Teaching Responsibilities

Theory, harmony, and counterpoint

Music analysis

German art song

Performance practice

Early opera

Early Music Ensembles and continuo

Further Info

Admin Responsibilities

Music Ensembles Co-ordinator

Publications

Publications 

Currently viewing:

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  • J├╝rgensen, F 2020, 'Counterpoint is a Piece of Cake: Renaissance improvisation in a modern university course', Journal of Music Theory Pedagogy, vol. 33, pp. 85-101.
  • Jurgensen, F, Pearson, DG & Knopke, I 2017, 'Building an Authentic Listener: applying a passive exposure-based learning paradigm to detecting differences among compositional styles', Journal of Interdisciplinary Music Studies, vol. 8, no. 2014-2016, 16081205, pp. 141-155. [Online] DOI: https://doi.org/10.4407/jims.2016.12.005
  • Jurgensen, F & Palmer, GJ, Unidentified Edges (performance), 2017, Performance.
  • Aberdeen Early Music Collective, Chez Schedel, 2015, Performance.
  • Jurgensen, F 2015, 'Partial signatures as transmitted in the Buxheim Organ Book and its concordances', Early Music, vol. 43, no. 4, pp. 597-609. [Online] DOI: https://doi.org/10.1093/em/cav090
  • Stelzenmuller, R & Ensemble Combassal, De Lamentationae Jeremiae Prophetae: the extreme madrigalian harmonies of Carlo Gesualdo in the sacred Tenebrae settings for Good Friday, 2013, Performance.
  • Taylor, R & Jurgensen, F 2013, Politics, religion, style and the Passamezzo Galliards of Byrd and Philips: A discussion of networks involving Byrd and his disciples. in D Smith & R Taylor (eds), Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips's 450th Anniversary. Ashgate , Farnham, pp. 71-89.
  • Knopke, I & Jurgensen, F 2012, Symbolic Data Mining in Musicology. in T Li, M Ogihara & G Tzanetakis (eds), Music Data Mining. CRC Press, pp. 327-345.
  • Jurgensen, F 2011, 'Cadential Accidentals in the Buxheim Organ Book and its Concordances: A Mid-Fifteenth-Century Context for Musica Ficta Practice', Acta Musicologica, vol. 83, no. 1, pp. 39-68.
  • Knopke, I & Jurgensen, F 2009, 'A system for identifying common melodic phrases in the masses of Palestrina', Journal of New Music Research, vol. 38, no. 2, pp. 171-181. [Online] DOI: https://doi.org/10.1080/09298210903288329
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