|
Date |
Speaker |
Affiliation |
Title |
|
Friday 28th September 2007 |
Prof. Pete Stollery and Dr Paul Mealor |
Department of Music, University of Aberdeen |
Composition as Research |
|
Friday 5th October 2007 |
Dr Geoff Palmer |
Department of Music, University of Aberdeen |
Splitting the Semitone: A Composer's Perspective |
|
Friday 12th October 2007 |
Dr David Smith |
Department of Music, University of Aberdeen |
Keyboard Culture at the Court of the Archdukes, Brussels: Kraków, Biblioteka JagielloĊska, Mus. MS 40316 |
|
Friday 19th October 2007 |
Dr Bennett Hogg |
Newcastle University |
Sound Objects, Found Objects |
|
Friday 26th October 2007 |
Dr Peter Fribbins |
Middlesex University |
Writing Chamber Music for Strings in the Twenty-First Century |
|
Friday 2nd November 2007 |
Prof. James Porter |
University of Aberdeen |
The Geneva Connection: Jean Servin's Settings of the Latin Psalm Paraphrases of George Buchanan |
|
Friday 9th November 2007 |
David Revill |
|
(Self) Analysis in New Music |
|
Friday 16th November 2007 |
Prof. John Kenny |
Guildhall, London |
Carnyx: An Illustrated Talk on this Ancient Scottish Instrument |
|
Friday 30th November 2007 |
Richard Craig, flautist |
|
An Illustrated Talk on Contemporary Flute Music |
|
Friday 1st February 2008 |
Prof. Graham Hair |
University of Glasgow |
Sibylline Voices and other compositions: Recontextualising archetype and genre in terms of recent cultural concepts, musical materials and compositional processes |
|
Friday 8th February 2008 |
Dr Paul Everett |
University College Cork |
|
|
Friday 15th February 2008 |
Paul Tierney |
Department of Music, University of Aberdeen |
Recent Compositions |
|
Friday 22nd February 2008 |
Dr Frauke Jürgensen |
Department of Music, University of Aberdeen |
Analysing Renaissance counterpoint with computers: projects on performer's accidentals, phrase parsing, and repeated modules |
|
Friday 29th February 2008 |
Dr Miriama Young |
Department of Music, University of Aberdeen |
Recent Compositions |
|
Friday 7th March 2008 |
Prof. Pete Stollery |
Department of Music, University of Aberdeen |
Scènes, rendez-vous – an acousmatic journey through Paris by Pete Stollery, based on the cult short film C’était un Rendez-vous (1976) by Claude Lelouch. |
|
Friday 14th March 2008 |
Dr Melenia Bucciarelli |
City University, London |
Literary motifs in Antonio Vivaldi's Armida al campo d'Egitto |
|
Friday 21st March 2008 |
Dr Nicola Miller |
Department of Music, University of Aberdeen |
Behind Closed Jaws: An Introduction to the use of Magnetic Resonance Imaging in Vocal Tract Research |
|
Friday 18th April 2008 |
Ross Whyte and Patrick Keenan |
Department of Music, University of Aberdeen |
Recent Compositions |
|
Friday 25th April 2008 |
Lisa Coons, PhD candidate (composition) |
Princeton University |
Recent Compositions |
|
Friday 2nd May 2008 |
Dr Paul Mealor |
Department of Music, University of Aberdeen |
Recent Works for Choir |
|
Friday 9th May 2008 |
Prof. Jonathan Stephens |
Department of Music, University of Aberdeen |
Identity Crisis |