North Atlantic Fiddle Convention, 2006

At the heart of the NAFCo idea is the synergy created by the combination of an academic conference and a performance  celebration. The 2006 theme of Connecting Cultures in tradition provided a  unique forum for papers on the role of the fiddler (or dancer), musical  interplay with dance, socialization and competition, leadership and  transmission, tradition and innovation, and cross-cultural relationships. We were privileged to be addressed by four eminent keynote speakers.

Two profile picturesDr Alan Jabbour is former Head of the  American Folklife Center at the Library of Congress, a position he held from 1976 to 1999. In ‘Fiddle Tunes of the Old Frontier’, Dr Jabbour spoke about the relationship between Old World and New World fiddle  traditions, advancing the proposition that all the modern regional fiddle  traditions of the English-speaking world are cultural cousins – born of a wider revolution in instrumental music and dance in the last half of the eighteenth century – a revolution for which the democratized Italian violin was the central catalyzing instrument.

Professor Colin Quigley, then of the World  Arts and Cultures Department at the University of California at Los Angeles, has  researched the inter-relationship of fiddle music and dance in Newfoundland and  Eastern Europe. In ‘Dancing Bows and Musical Feet’, he considered rhythm as the most defining characteristic of local and regional style in fiddling around the North Atlantic, and especially within Canada where so much  melodic material is widely shared.

Two profile photosProfessor Mícheál Ó Súilleabháin,  Director of the Irish World Music Centre at the University of Limerick, is both an outstanding performer and a respected scholar. He discussed the remarkable fiddle traditions upheld by Gypsy Travellers in Ireland, most notably the fiddler Tommie Potts (1912-1988), with whom he undertook fieldwork.

Dr Peter Cooke, formerly of the School of Scottish Studies and the Department of Music at Edinburgh University, is an eminent ethnomusicologist whose research areas include both Scotland and West Africa. Dr Cooke revisited his groundbreaking study of the Shetland tradition and the world of fiddle music he encountered there when he undertook his fieldwork between 1970 and 1980.

One of the great strengths of NAFCo is  that it draws on scholars who are also fine performers, as is Mícheál Ó  Súilleabháin. This is also true of Alan Jabbour, who is a wonderful ‘Old Time’  fiddler, in the style of the Upper South, who learnt from musicians like Henry Reed of Glen Lyn, Virginia, and Tommy Jarrell of Toast, North Carolina. Other performer/scholars who offered papers include Richard Blaustein of East Tennessee State University, Matt Cranitch and Mats Melin of the University of Limerick, Katherine Campbell of the University of Edinburgh, Catriona Macdonald and Kathryn Tickell of the University of Newcastle, Kimberly Fraser of Saint  Francis Xavier University, Nova Scotia, Karin Eriksson and Mats Nilsson of the University of Gothenburg, Sherry Johnson of York University, Toronto, Gaila  Kirdiene of the Lithuanian Academy of  Music and Theatre, and Mary Anne Alburger of the Elphinstone Institute.