Larkin, A. (2008). 'Images of the Invisible: Composite Photography as a Model for Perception and Memory Processes in Proust’s À la recherche du temps perdu'. The Irish Journal of French Studies, vol 8.
Chapters in Books, Reports and Conference Proceedings
Chapters
Larkin, A. (2012). 'Avid Eyes and Ears: Photographic Practice, Perception and Memory in À la recherche du temps perdu'. N Aubert (ed.), in: Proust and the Visual. Studies in Visual Culture, University of Wales Press, Cardiff, pp. 167-181.
Larkin, A. (2012). 'Photography in Proust's À la recherche du temps perdu'. N Grigorian, T Baldwin & M Rigaud-Drayton (eds), in: Text and Image in Modern European Culture. Comparative Cultural Studies, Purdue University Press, West Lafayette, Indiana, pp. 88-98.
Larkin, A. (2011). 'The Ballet Body Beautiful: Pleasure and Pain in Amelie Nothomb's Robert des noms propres'. E Fulop & A Angelo (eds), in: Cherchez la femme : Women and Values in the Francophone World. Cambridge Scholars Pub., Cambridge, pp. 195-208.
Larkin, A. (2011). 'Suspect Surfaces and Depths: Radiographic Images, Perception and Memory'. N Segal & G Rye (eds), in: 'When familiar meanings dissolve...': Essays in French Studies in Memory of Malcolm Bowie. vol. 20, Romanticism and after in France, Peter Lang Pub., Bern, pp. 205-218.
Larkin, A. (2009). 'Spatio-Temporal Dislocation: The Dual Narratorial Structure of Proust’s À la recherche du temps perdu'. D Connon, G Jein & G Kerr (eds), in: Dislocation in French and Francophone Textual and Visual Culture. Edwin Mellen Press.
Books and Reports
Books
Larkin, A. (2011). 'Proust Writing Photography: Fixing the fugitive in A la recherche du temps perdu'. Legenda, Oxford.
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