BA, MA, PhD, FHEA
My articles for The Conversation UK:
Postgraduate Certificate in Higher Education, University of Aberdeen (2012)
PhD, Art History, Rutgers University (2008)
MA, Art History, The University of South Carolina
BA, Art History, Boston University
Staff and students recognised for public engagement with research (awarded the Principal's Prize for Public Engagement with Research)
Invitation to Attend Dr. Amy Bryzgel's Lecture, "Miervaldis Polis, East and West" (article in Latvian news portal TVNet, about my lecture in Riga, 6 May 2016)
Miervaldis Polis: Egocentre Returns on a White Horse (article in Kulturas Diena, culture section of the Latvian main daily, Diena)
American Art Historian's Monograph on Miervaldis Polis (Latvian National Radio Culture segment)
Miervaldis Polis's Egocentre (Latvian National Television Cultural News segment on book launch)
Launch of monograph on Miervaldis Polis (Latvian National Television Panorama segment)
East Art Map is my Phone Book (interview with Liisa Kaljula)
The Ultimate Conceptual Art (Article about Amy Bryzgel in the Latvian daily Diena, in Latvian)
My area of specialization is contemporary art from Eastern Europe and Russia from the second half of the 20th century. While initally my research had been focused previously on performance artists in Russia, Latvia and Poland from the late communist and early post-communist periods (roughly 1980 to the present), my second book expanded the scope to examine performance art across Central and Eastern Europe, from the Baltics to the Balkans.
My current research projects look at re-enactments of artistic performance and the transfer of art practices between generations in Eastern Europe.
I have just completed the first comprehensive history and analysis of performance art in Central and Eastern Europe, a monograph entitled Performance Art in Eastern Europe since 1960, which will be published as part of Manchester University Press's Rethinking Art's Histories series (2017). I have created a website about the research and writing of the book: www.performingtheeast.com
My first book, Performing the East: Performance Art in Russia, Latvia and Poland since 1980, was published in 2013 by IB Tauris. My most recent book, a monograph on the Latvian painter and performance artist Miervaldis Polis, has just been published by Neputns in Latvia (2015).
I am co-director of the research group Performing the Past.
I am Director of the GWW Centre for Visual Culture
In 2014, together with Dr. Pavlina Morganova, I guest-edited a special volume of Centropa: a Journal of Central European Architecture and Related Arts dedicated to performance art in Central and Eastern Europe, featuring articles on Poland, the Czech Republic, Slovakia, Hungary, Croatia, Romania and Fluxus performances in Eastern Europe.
FS1008 Introduction to Visual Culture
FS30PC/FS40PC Performance Art
I teach courses on performance art, postmodern and contemporary art—all with a focus on Eastern Europe—and a course on 20th century Russian art.
I welcome inquiries from prospective PhD students who would like to pursue a research project on a topic related to contemporary art in Eastern Europe.
Mentor for the Association of Slavic East European and Eurasian Studies
External Examiner for the Open University, American College in Greece (2016-2019)
SHERA (Society for the History of East European and Russian Art) Web Co-ordinator and elected board member
Head of Discipline, Department of Film and Visual Culture
Programme Co-ordinator, MLitt in Film and Visual Culture
Elected member of Senate (2016-2020)
Director of the GWW Centre for Visual Culture
Athena SWAN Self-Assessment Team co-lead for the School of Language, Literature, Music and Visual Culture
In October 2015, I organized the international conference, "Performance Art East, Northeast, West" at the University of Aberdeen. The conference explored the development of performance art in Eastern Europe, North America, and the Northeast of Scotland, highlighting connections between artists that occurred along the way. It featured a roster of researchers who specialise in the performance art, as well as performances by artists from Eastern Europe.
Speakers and performers included Jana Pisarikova (Czech Republic), Luchezar Boyadjiev (Bulgaria), Catherine Spencer (St. Andrews), Bozidar Jurjevic (Croatia) and Branko Miliskovic (Serbia).
As part of the assessment for HA3074: From Gulag to Glasnost: Modern Russian Art, students create a poster advertising the University of Aberdeen utilising the style and approach evident in Soviet avant-garde posters. Then, they create an exhibition of those posters that is put on display at the University. This is an article from the Evening Express featuring the poster exhibition that took place in 2011-2012.
With support of funding from the Royal Society of Edinburgh, The Carnegie Trust for the Universities of Scotland, and a Leverhulme Research Fellowship, in 2013-2014 I conducted field research for my next book, Performance Art in Eastern Europe. I am documenting the process of conducting that research on my website, which also functions as a database for the artists that I meet and interview across the former communist and socialist countries of Central, Eastern and Southern Europe.
The website is www.performingtheeast.com, and the title comes from my first book, Performing the East: Performance Art in Russia, Latvia and Poland since 1980 (IB Tauris, 2013), which forms the foundation and starting point for this next project.
In 2013 I published a book with IB Tauris, entitled Performing the East: Performance Art in Russia, Latvia and Poland Since 1980
In 2015, I published a monograph on the Latvian painter and performance artist, Miervaldis Polis (b. 1948). This is the first monograph written on the artist. It is currently available from Neputns, only in Latvian.