Mr John GASHThe University of AberdeenSchool of Divinity, History & PhilosophySenior Lecturerwork+44 (0)1224 272619workfax+44 (0) 1224 27 3750prefj.gash@abdn.ac.ukpref
Room KCF 23, School of Divinity, History & Philosophy, King's College, Aberdeen University, ABERDEEN AB24 3UB
John Gash is a specialist in Baroque art. He has written on aspects of seventeenth and eighteenth century painting and sculpture in Italy, Malta, France, the Netherlands and Britain. Having published several pieces on Caravaggio, he is currently engaged on a book on Carvaggio's followers, entitled Caravaggism.
Gash, JM. (2012). 'Antiquaries and art historians'. Newsletter, Society of Antiquaries of Scotland, vol 24, no. 1, pp. 10-11.
Gash, JM. (2010). 'From Cleland to Byron: The Unexpurgated British Version of Italian Art'. Journal for Eighteenth-Century Studies, vol 33, no. 2, pp. 181-194.
[Online]DOI: 10.1111/j.1754-0208.2010.00276.x
Gash, JM. (2010). 'Anglo-Italian Cultural Relations before and during the long Eightenth Century'. Journal for Eighteenth-Century Studies, vol 33, no. 2, pp. 141-144.
[Online]DOI: 10.1111/j.1754-0208.2010.00273.x
Gash, JM. (2009). 'A Caravaggesque 'Christ' in Scotland'. The Burlington Magazine, vol CLI, no. 1279, pp. 682-690.
Gash, J. (2004). 'Mario Minniti: Caravaggio's artistic inheritance at Syracuse'. The Burlington Magazine, vol 146, pp. 639-640.
Gash, J. (2002). 'Nicolas Tournier'. Apollo, vol 155, no. 480, pp. 49-50.
Reviews of Books, Films and Articles
Gash, JM. (2012). 'Essay review of eleven books on Caravaggio and his followers'. The Burlington Magazine, vol 1314, no. 154, pp. 637-639.
Gash, JM. (2011). 'Caravaggio catalogues and scholarly studies: The many facets of the artist's career: Catalogues full of perceptive observations, challenging speculations and controversial claims'. The Art Newspaper, vol XX, no. 226, pp. 48.
Gash, JM. (2010). 'Caravaggio and his Followers: Rome, Florence and London'. The Burlington Magazine, vol 152, no. 1290.
Gash, JM. (2009). 'Triumph in Rome'. Apollo, vol April 2009.
Chapters in Books, Reports and Conference Proceedings
Chapters
Gash, JM. (2011). 'The Grand Tour'. I Bevan, P Davidson & J Stevenson (eds), in: The Library and Archive Collections of the University of Aberdeen: an Introduction and Description. University of Manchester Press with the University of Aberdeen, Manchester.
Gash, JM. (2010). 'Le Caravage et la Lorraine'. C Stoullig, L Henart & A Rossinot (eds), in: Caravaggio's 'Annunciation' : Restoring a masterpiece of the Museum of Fine Arts, Nancy. Ville deNancy, Kubik Editions, Nancy, France.
Gash, JM. (2009). 'Il Contesto dell' 'Annunciazione' di Caravaggio a Nancy'. L Spezzaferro (ed.), in: Caravaggio and Europe: : The artist, history, technique, and his legacy. Silvana Editoriale, Milan, Italy, pp. 214-223.
Gash, JM. (2007). 'Malta: Caravaggesque Crossroads'. K Sciberras & C De Giorgio (eds), in: Caravaggio and Paintings of Realism in Malta. Midsea Books, Malta, pp. 101-116.
Gash, JM. (2007). 'The Caravaggesque Toothpuller'. T Nichols (ed.), in: Others and Outcasts in Early Modern Europe: Picturing the social margins. Ashgate, pp. 133-155.
Books and Reports
Books
Gash, JM. (2003). 'Caravaggio'. Chaucer Press, London.
Contributions to Specialist Publications
Reviews of Books, Films and Articles
Gash, JM. (2010). 'Ribera a Roma'. p. 417-418, The Burlington Magazine.
Other Contributions
Gash, JM. (2007). 'Caravaggio/non Caravaggio'.
Non-textual Forms
Performances
Gash, JM., (2010). 'The Essay: Reflections on Caravaggio I'. , 2010, Performance.
Gash, JM., (2009). 'Appearance in 'Private Life of an Easter Masterpiece: The Taking of Christ''. , 2009, Performance.