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HA4500 - Dissertation (30 credits): guidelinesHISTORY OF ART
HA4500 - Dissertation (30 credits): guidelines
Co-ordinator: John Gash PLEASE NOTE CAREFULLY:
You must familiarise yourself with this important information at the earliest opportunity. Your dissertation is intended to give you the opportunity to carry out a piece of sustained research on a topic of your own choice and to demonstrate to the examiners your ability to present the results of such research in a proper, scholarly manner. Your research may be of various kinds. It may address works of art (or a single work of art) directly, through first-hand study in galleries and museums, or it may be of a more literary kind, addressing critical or theoretical problems. Or it might involve both. The term ‘work of art’ should be interpreted broadly to mean any form of art, architecture or craft. Research may concern works of art of any period, not necessarily works or periods studied during the two Honours years. Critical/ theoretical issues may involve the study of books, articles, pamphlets, catalogues, videos, films, newspaper and magazine reviews. Whatever your topic, you must show by the way you treat it that you understand the aims and methods of art history. The criteria by which your dissertation will be judged are therefore essentially the same as are used in grading other written work during your two Honours years. However, because you have about 18 months to research and to write, you are expected to investigate your chosen topic in greater depth. For instance, the examiners will expect you to check a much greater range of appropriate sources than you have time for in a typical course essay. Assessment will include consideration of the following aspects of your work:
Scholarly presentation‘Scholarly presentation’ means correct use of footnotes, bibliography, page and plate numbering. Marks will be deducted for deficiencies in this area. Your dissertation must conform to the following guidelines:
Your dissertation must be organised in the following order: The cover should clearly show the title, your name and the year. The plagiarism cover sheet should be signed and inserted after the cover. This sheet is available at the office. The dissertation itself should be in the following order:
‘M.A. Dissertation in the History of Art, University of Aberdeen’, 2) One page Synopsis. (This is a short summary or overview, not an introduction. Roughly 20 lines) 3) List of Contents. 4) List of Illustrations, numbered 1, 2, 3 etc. 5) The Dissertation itself, divided into chapters. Illustrations referred to in the text as (Pl. 1, Pl. 2 etc) 6) Footnotes (at the bottom of the page, numbered 1, 2, 3) are preferred to end notes 7) Bibliography of works cited and used. 8) Illustrations, numbered (Pl. 1, 2, 3) and clearly labelled, either at the end, or inserted appropriately within the text. A caption to an illustration requires at least, Title, Artist/Architect, date, location, preferably size of painting, if known. Footnotes and Bibliography All material must be sourced in the appropriate manner, with scholarly footnotes preferably at the foot of the page. The minimum information required in a footnote is author, date, page (as in Bloggs, 1929,123). The Bibliography should separate original and secondary sources. Remember that the QML publishes a range of useful pamphlets and style sheets which will help you set up footnotes, create a bibliography, etc. Just ask at the Issue Desk. There is a good deal of useful advice in A Short Guide to Writing about Art, by S. Barnet (in Heavy Demand) IllustrationsYou should discuss with your supervisor the extent to which your dissertation needs the inclusion of photographs in the text. In some cases references to where illustrations can be found in published works may be adequate. If taking your own photographs, make sure they are clear and in focus. If using images from the web, aim to find versions with high resolution. The look of a dissertation can be spoilt by poor illustrations. Good photocopies, either black and white or colour, or laser prints, are acceptable. DO NOT submit your images on a CD. Do remember that some photographs from museums, etc., will take a long time to come, even up to three months from some sources. Get advice from your supervisor at an early stage. Photographs, and purchased scans, can be very expensive: do not commit yourself to high bills without getting estimates in advance. The Stages of PreparationThird Year
Fourth Year
Bloggs, 1999 Paintings I have known and loved, ed. P.Bloggs, London, 1999 Jones, 1975 D.Jones, My Favourite Paintings, London, 1975 Smith, 1962 P.Smith, ‘My Favourite Paintings’, Apollo, LXV, 1975, 23-30 White, 1999 J.White, ‘My Favourite Paintings’ in Bloggs, 1999, 23-40 Note: you do not need to write the letters pp., or vol., or publisher.
Here are the university rules on plagiarism again. http://www.abdn.ac.uk/sdhp/ugradstudenthandbook/index.php will provide the details.
PLAGIARISM‘Plagiarism is the use, without adequate acknowledgement, of the intellectual work of another person in work submitted for assessment. A student cannot be found to have committed plagiarism where it can be shown that the student has taken all reasonable care to avoid representing the work of others as his/her own.’ Plagiarism is a serious offence everywhere, both within and outwith the academic community. All cases of suspected plagiarism will be reported to the Head of School in the first instance and cannot be discussed with or determined by a Tutor or Course Co-ordinator. Please note that students MUST refer to the School’s Undergraduate Student Handbook for more detailed information on what constitutes plagiarism, how to avoid it, and what the University’s procedure is should plagiarism be suspected.
When you submit coursework, you will be asked to sign the following statement on the coversheet: ' I hereby acknowledge that I have read and understood the above definition of plagiarism. I declare that all material from other sources used in this piece of assessed work, whether directly quoted or paraphrased, has been clearly identified and attributed to the source from which it came by means of a footnote or endnote reference.' You should ensure that you have read and understood this statement, and are confident that your work complies with it before you sign it and submit your work. All cases of suspected plagiarism will be reported to the Head of School in the first instance. Please refer to http://www.abdn.ac.uk/registry/quality/section7.shtml#sub17 for more details of the procedure that will be followed if plagiarism is suspected. To avoid suspicion of plagiarism: • List all source material, including websites, in a bibliography at the end of your essay. • Identify all material quoted from other sources either with inverted commas or with indented paragraphs and with a footnote or end note giving the reference to the source from which the quotation was taken. • For more details on how to avoid plagiarism, along with examples of best practice in essay writing , visit http://www.abdn.ac.uk/writing/ You should also note that it is not acceptable to submit a dissertation a large portion of which consists of quotation from other sources, even if this is acknowledged. Such dissertations are likely to score very low marks on the grounds that they constitute too little of the student's own work. You are asked to sign a plagiarism statement on the coversheet of each dissertation that you submit. This states that you acknowledge that you have read, understood and accept the University's rules on plagiarism: your signature will be taken to mean that you certify the dissertation as being all your own work.
SEPTEMBER 2009
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History of ArtSchool of Divinity, History and Philosophy University of Aberdeen King's College Aberdeen AB24 3FX Tel/Fax: +44 (0)1224 273733 Email: h.o.art@abdn.ac.uk |
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