Fish
skulls and tiger skeletons are among a collection of objects
with fascinating back stories now on show in Aberdeen. The
Science Behind the Object exhibition at Aberdeen University's
Marischal Museum offers a rare opportunity to see treasures
from the museum collections. Among the artefacts is the skull
of a fish dissected by a curator whose brother had links to
infamous Edinburgh grave robbers Burke and Hare. The skeleton
of a tiger which once belonged to a 19th-century travelling
circus also features, with the carbolic spray that belonged
to renowned Scottish surgeon Professor Alexander Ogston, who
discovered staphylococcus aureus, better known as MRSA. Exhibition
curator Carla Dobson said: "The exhibition
gives the public an opportunity to see a vast amount of interesting
objects that haven't been seen for quite some time. These specimens
explore the wonderful achievements of local professors and
important figures in history."
Jacobite
Virtuosi May -
July 2007
Jacobite
Virtuosi: antiquarians and connoisseurs in Eighteenth century
Rome draws on the rich holdings of Jacobite material
in the museum, fine art and rare book collections of the
University, as well as a loan of a rarely-seen portrait from
Aberdeen Art Gallery. It opens a window into the world of
the Scottish artists and archaeologists from Jacobite families
who flourished at Rome in the eighteenth century when the
Italian capital was the unequivocal world centre for the
visual arts.
As
well as paintings by Cosmo Alexander and James Irvine of Drum,
the exhibition offers a first chance to see James Byres of
Tonley's sumptuous scheme for the rebuilding of King's College,
which, had it gone ahead would have given Aberdeen one of the
finest University buildings in Northern Europe. That scheme
makes provision for a central museum room, modelled on the
Uffizi in Florence.
The
exhibition also shows some examples of the kinds of treasures
which the Jacobite artists of Rome sent back to Scotland: prints
of antiquity and casts of Gems, superb engraved books, including
James Byres' own pioneering study of the tombs of the Etruscans.
From the University's MacBean Stuart and Jacobite collection,
there are prints of the Stuart monarchs and princes as well
as engravings of the extravagant ceremonial with which they
kept up Royal State in exile.
Professor
Peter Davidson, exhibition curator, said, "It is the nature
of an ancient University such as this to act as the place of
memory of its alumnae and their achievements. This exhibition
brings before us a small group of cultivated artists from Jacobite
families who were antiquarians and art-dealers in Rome in the
later eighteenth century at the height of the grand tour, when
Rome was unequivocally the world centre for the visual arts."
Nga
Taonga: A response to Maori treasures in MarischalMuseum
July – September 2006
The results of
an art residency were unveiled at Marischal Museum on Monday, July 17, 2006
by the Deputy Chairman of the Maori Heritage Council of Aotearoa New Zealand.
Waaka Vercoe has travelled from New Zealand to Aberdeen to officially open
the exhibition, entitled Nga Taonga: A response to Maori treasures
in MarischalMuseum. The exhibition of works by
Marischal Museum’s Artist-in-Residence, Rhondda Greig, will be displayed
alongside unique Maori treasures from the University’s collection.
Rhondda said: “Being an artist-in-residence in Marischal Museum is
an unusual but highly productive and stimulating time in my career. Artists
generally work in isolation. To have skilled and professional people from
other disciplines as colleagues brings a new dimension to creative activities,
in this case, inspired by the objects in the museum.”
Marischal
Museum cares for one of the most important collections of Maori objects
in Scotland. Known as ‘taonga’, these treasures reached
Aberdeen through the activities of explorers and collectors in previous
centuries. Today, they record these links and offer inspiration for
new understandings.
Rhondda
Greig is an internationally renowned artist from Wairarapa, North Island,
New Zealand. Rhondda has been working in the University’s Marischal
Museum’s for the past year as the first Artist in Residence.
Murder in the
Mist
New exhibition explores a medieval 'whodunit'
June – September 2006
A
new exhibition at Marischal
Museum displays the bones of a young man who died around 1650 and whose body
was discovered buried in a peat bog, along with an extremely rare piece of clothing
to have survived from this period.
The remains were discovered in Caithness with stones weighing down the body and
a twisted rope at the man’s side and the Murder in the Mist exhibition
explores whether the man was the victim of murder in this medieval ‘whodunit’.
Alongside his skeleton the doublet he was wearing – a close fitting jacket
worn by European men between the 15th and 17th centuries - is also on show. This
has been borrowed from the National
Museums of Scotland where it has been carefully conserved and studied. It
is one of very few doublets to survive from this period, preserved by the special
conditions in the bog. It is of good woollen cloth and fashionable cut, suggesting
that he may have come from a fairly wealthy family. Neil Curtis, Senior Curator
in Marischal Museum, said: “The doublet is one of a number of important
items in the collection which have survived as a result of being in bogs. Also
on display is the only prehistoric arrow with part of its wooden shaft to have
survived in Britain and a unique Pictish deer trap.” Preservation in peat
bogs is also discussed in the exhibition and compared with the famous Tollund
Man from Denmark.
The exhibition was organised by Meg Hutchison, Honorary Curatorial Assistant
in Marischal Museum.
Burns
- Out of His Box May – June
2006
A
new exhibition at the Marischal Museum offers an alternative
view of Scotland’s National Bard as part of the University
of Aberdeen’s Word Festival 2006.
Burns
- Out of His Box offers a tongue-in-cheek glimpse at what Burns
may have been thinking and doing during the autumn of 1786,
when it was his intention to take up the offer of a new life
in Jamaica.
Artist
Reinhard Behrens and poet John Glenday have lovingly constructed
the exhibition of mock Burns artifacts including:
· Part
of a raft, destined for Jamaica built by the poet while spending
time at Brow Wells on the Solway Firth in 1796.
· A chest, filled with letters, poems, songs, objects of affection
· Personal items including a scrap of a ‘sark’ ripped by
the notorious womanizer during a flight from a mistress’ chamber
Other
humorous articles include an oil portrait showing the bard
half submerged in the Solway Firth while taking a break from
constructing his raft.
Between
them, the contents of the box and the painting provide a new
and exciting perspective on one of the world’s most famous
(and infamous) poets and one of Scotland’s best-loved
exports.
These ‘finds’ were
first exhibited as part of the StAnza Poetry Festival in 2004.
Fittingly, they are on show in the University’s Marischal
Museum, founded in the year in which Burns gave up his ambition
to sail to the New World.
Artist
Reinhard Berens said, “For a long time I have been fascinated
by the transformation of objects after they have been re-labelled
or are shown out of their usual context. This exhibition allowed
me to enjoy the humorous possibilities that are the result
of such a tongue-in-cheek exercise.”
Elly
Rothnie, Word Festival Producer, said: “We love this
fun exhibition and are so pleased to include it as part of
the Word Festival, it’s one for all the family. I’m
sure Burns would have appreciated its whimsical nature. Don’t
miss this extraordinary show!”
Super
Models - MarischalMuseum's New
Exhibition February – May
2006
What
is a model? Much more than just children’s toys, the
idea of the model is common throughout the arts and sciences
and in many different contexts.
Marischal Museum’s latest exhibition explores how people have made models
of the world and used the idea of the model to describe the world. On show are
objects from all the University’s museum collections.
Elizabeth
Blackadder & John Houston
16 February - 14 April 2006 A City of Edinburgh Museums and Galleries
Touring Exhibition.
Just One More - Press Photography by Kieran Dodds
September - February 2006 Twenty-four-year-old Kieran Dodds envisaged himself as a wildlife warden when he began his degree in zoology at the University of Aberdeen. But after a spell as editor of The Gaudie and some freelance work at Aberdeen Journals, his long held passion for photography took over.
Kieran couldn’t have made a better decision to change his
choice of career, as he was recently named Diageo Young Photographer
of the Year just three years after becoming a press photographer.
Now his award winning work can be seen at a fascinating exhibition
now open to the public tomorrow at the University’s Marischal
Museum.
More than 30 captivating images will be on display. These include spectacular shots of sporting action; buskers on the Paris metro; townships, squatter communities and great white sharks in South Africa; portraits taken when Kieran documented the evangelist, the Reverend Billy Graham, on his final crusade in New York, as well as quirky and amusing pictures taken closer to home.
Many of the photos featured in the exhibition were taken by Kieran for the Evening Times in Glasgow, where he has worked as a staff photographer for the last two years.
He said: “When I used to pick up a paper I never understood the difficulties of press work. I want people to take time to appreciate the process behind the photograph. It’s
is a thinking process and rarely do photos appear fully formed,
it takes time and persistence, the exhibition will hopefully
let people see that.”
Neil Curtis, Senior Curator at Marsichal Museum, said: "I am
delighted that we are able to display this collection of photographs
by an Aberdeen graduate in Marischal Museum which displays objects
collected by many other graduates.
Intoxication: a Journey into Drugs and Culture
October - January 2006
The new exhibition 'Intoxication' at Marischal Museum focuses on how drugs or intoxicants have played a crucial role in society from antiquity to the present day. The exhibition makes various connections with elements of our everyday lives that most of us generally take for granted. How many of us know the chequered past of Britains role in smuggling opium to China, or how this trade was supported by the nations thirst for tea. Objects as diverse as a human lung specimen infected with lung cancer, an opium smoker's kit, an ether mask, and even a cannabis specimen, hash pipes confiscated by police etc, all help convey how drugs have played a part in our lives.
Exhibition curator Darren Swanson says:
'People tend to think of drug abuse as a fairly recent phenomenon, however upon closer inspection of our recent history, it is easy to come across countless examples of how drugs have been behind literary movements, economic booms, coming of age rituals, social occassions. In fact it is difficult to find areas of social life not affected by drugs. The purpose of this exhibition was to work together with police archivists and education officers, as well as drawing material from all of the university collections and also the city council collections'.
Rhondda Greig, Artist in Residence – An Overview
July - September 2005 In an exciting new development for the University of Aberdeen, Rhondda Greig, an internationally renowned artist from Wairarapa, North Island, New Zealand, has joined the University as Marischal Museum’s first Artist in Residence. Pat Ballantyne, Assistant Curator said: “Rhondda works in a wide range of media - oils, watercolours and prints, as well as glass and wood in site-specific commissioned works. She has many art works in public collections in New Zealand and Japan in particular, and in private collections throughout the world. She has also written and illustrated several children’s books.”
Now, an overview exhibition of Rhondda’s work will be on display at Marischal
Museum from 4th July. This includes Rhondda’s more recent drawings, created in Scotland. Rhondda says: “I have been working on a series of paintings called Find the Sun, two of which are in the exhibition. I have also included a series of charcoal drawings: Meditations on the Haar; these being the very first drawings I created here. I had never experienced such weather before coming to Aberdeen. Journeys to the west coast over the last couple of years have resulted in the Highlands and Islands drawings’ series which is also on display. All of these works have been a means to finding my way in my new environment.”
Summer
Exhibition June
- September 2005 Marischal
Museum's YoungArchaeologists@Aberdeen present their take on Roman and
Pictish Art.
At
recent meetings we have been looking at the archaeology
and history of the Romans and Picts. We have looked
at their art and music, how they lived, how they communicated
and we even tried our hand at Roman Army manoeuvres.
So why not come along to Marischal Museum and see our
take on Roman and Pictish art?
Extinct
What is extinction? Why do things become extinct? Is it a good or bad thing? Does extinct really mean forever?
These are all questions considered in a new exhibition ‘Extinct’ at Marischal Museum. Focusing on the past 100,000 years, the exhibition looks at how human activity has resulted in the extinction of animals, plants, diseases, cultures and technology and considers what extinction really means in the context of these themes. Objects are as diverse as a Great Auk egg, a polar bear paw and a BBC computer.
Exhibition curator Claire Smith says,
‘This exhibition gives the public a unique opportunity to see the range of University’s seven museum collections displayed together in one place. Whilst the collections are diverse, this exhibition proves that they are also complementary.’
On
Charlie - Lives in the Oil Industry A
joint project between the University of Aberdeen and the British
Library Sound Archive, was set up to create an archive of the
North Sea oil and gas industry. As part of his research and recording
programme, Hugo Manson spent time on Brent Charlie, one of the
largest oil and gas producing platforms in the North Sea.
This
exhibition highlights some of his photographic impressions of
life aboard the rig.
Let
it Snow
December 2004 - February 2005
We have
a seasonal approach to snow and an idealised picture of what life
should be like in it.
What was life like for the inhabitants of a land of harsh ice and
snow?
This exhibition brings these aspects together to present a better
idea of how people coped with the harsh reality of snow.
Sword
of Power : Symbolism and Mythology of World Swords
August - November 2004 The
exhibition opening in the University of Aberdeen’s Marischal
Museum is a rare opportunity to see some of the museum’s
collection of swords from around the world.
Swords
from as far apart as Sudan, Afghanistan and Malaysia will be on
display, as well as two historic Scottish swords. One of the Scottish
swords is reputed to have been worn at the raising of the Jacobite
standard at Invercauld in 1715.
Another
highlight is the chance to see two Japanese swords which have
just been cleaned and conserved, revealing details of their construction,
including the maker’s name on one. This is an interesting
example of the on-going care and investigation of the collections
by the museum’s conservation department.
This
is not just a glorification of the swords as weapons, it is an
examination of their symbolism and mythology. Swords are a part
of many traditional stories throughout the world, some of which
are retold in the exhibition.
“The
most awesome thing about these swords is the skill of the smiths
who made them. I hope that people who visit this exhibition see
the swords not just as ‘sharp pointy things’ but as
supreme examples of the swordsmith’s craft.” Hilary
Murray, designer of exhibition.
Before
the Pharoahs
April 26 - July 2 2004 A
new exhibition " Before the Pharaohs" is a celebration
of the art of the craftsmen and women who lived in Egypt long before
the pharaohs.
Marischal
Museum is well known for displaying the University of Aberdeen's
superb collection of Egyptian material - indeed, last term alone,
over 850 primary school children came to Ancient Egyptian workshops
at the museum. The pre-dynastic material - some of it 7000 years
old, is not on permanent display and is less well known - this
exhibition gives a unique opportunity to see some of the highlights.
Between
5000 and 3000 BC, people began to farm and build settlements in
the rich lands around the Nile in southern Egypt. For nearly 2000
years before the pharaohs these early Egyptians created everyday
objects that were works of art. Among the objects on display there
are alabaster jars so fine that light shines through them - yet
these jars were made with stone age tools.
"These
objects are truly stunning - I particularly like the pottery.
The jugs and vases were for ordinary everyday use but they have
an elegance of shape that many modern craft potters would envy"
Hilary Murray . Curatorial Assistant and designer of exhibition.
Museum
in the Bag. Objects and inspiration.
March 10 - April 20 2004 A
new exhibition at the University of Aberdeen's Marischal Museum
illustrates one of the innovative ways in which objects in the
museum collections are used as an inspiration.
For
a few years, pupils from Albyn School for Girls have visited the
museum to sketch and collect ideas for designing carrier bags
as part of a standard grade art course. Earlier this year museum
staff saw some of the completed bags and liked them so much they
decided to display them.
The
exhibition 'Museum in the Bag' juxtaposes some of the bags and
some of the objects which set their imaginations going.
'There
is a lot in the local news just now about not using plastic bags
- perhaps some of the shops should take a look at this exhibition
- and get children to design some bright, fun and sustainable
bags for their customers !' Hilary Murray curatorial assistant.
Carved
Stone Balls - a Prehistoric Mystery
January 19 - March 31 2004 A
new exhibition at Marischal Museum explores a prehistoric mystery
with the help of local children from Woodside School- and of the
sculptor Keiji Nagahiro who lives and works in Aberdeenshire.
Some
4000 years ago a series of decorated stone balls were painstakingly
made - they are each about the size of an orange and have a number
of regular bosses carved on them. As nearly 90% of the balls have
been found in North East Scotland, archaeologists think they were
made in this area.
No-one
knows what the carved stone balls were used for. Archaeologists
look at the wear marks, the find spots and the associated finds.
This does not solve the mystery. This exhibition suggests some
possible ideas from archaeologists, from children from Woodside
School and from the sculptor Keiji Nagahiro.
As
over 70 stone balls will be on display this is a unique opportunity
to see one of the largest collections of these enigmatic carvings.
Spirit
of Stones - Exhibition of batiks by Annabel Carey
17 November 2003 - 19 February 2004. Marishal
Museum, University of Aberdeen, is the opening venue of a British
touring exhibition of batiks by Annabel Carey.
Ms
Carey is a frequent exhibitor at the Royal West of England Academy,
where she was invited to participate in the Encore Exhibition
in January/February 2003 and most recently was selected for the
Autumn Exhibition in 2003. Her recent work on a series of acrylic
paintings exploring psychological landscapes resulted in two pictures
being selected by the Royal Watercolour Society for display at
the C21 Exhibition (Watercolour for the 21st Century) at the Bankside
Gallery, London, during July 2003.
The
batiks are all of stone circles and standing stones- many of them
in Scotland, including well known north-east sites such as Sunhoney,
Cullerlie and Loanhead of Daviot.
The
title 'Spirit of Stones' really sums up the feel of this exhibition-
they are very evocative of the atmosphere which surrounds many
stone circles and other prehistoric sites.
Going
Home: Museums and Repatriation 2nd
November 2003 - 25th January 2004 A
new exhibition at Marischal Museum marks the repatriation of a sacred
head-dress to the Blood Tribe in Canada earlier this year The horned
head-dress with an eagle feather trailer was identified by members
of the Blood Tribe during a visit to Aberdeen in November last year,
after which they submitted a request for its repatriation. For many
years they had three head-dresses and had been searching for the
fourth, which was known to have been lost and which was thought
to have gone overseas. The University considered their request carefully
and the head-dress was handed over in July this year.
This
exhibition tells the story of how the head-dress was collected
by an Aberdeen woman in the 1920s and how it came to be repatriated.
It also includes the only opportunity to see a photograph of the
head-dress, as the University agreed not to publish photographs
as this would be seen as dangerous and offensive to the Blood
Tribe. The exhibition concludes with a display of the variety
of opinions that appeared in newspapers this year and invites
visitors to leave their own comments as part of the display.
Repatriation
is an important issue that museums are now facing. The exhibition
includes the first showing outside Glasgow of a copy of the Lakota
Ghost Dance shirt that was repatriated by Glasgow Museums in 1999.
Glasgow benefited greatly from the repatriation, receiving this
copy and learning much more about the Lakota Sioux. The exhibition
also explores some of the other requests for repatriation from
museums that have been rejected, such as the Parthenon Sculptures
(the 'Elgin Marbles)' and Benin bronze heads. It also shows objects
from Scotland, raising the question about whether repatriation
is only an issue facing objects collected from overseas.
Hopscotch
22 September - 7 November 2003 Hopscotch
is an exhibition of games- but people are invited not just to look,
but also to take part if they want - either by playing some of the
games- or by sharing their memories of games.
A
mixture of photographs, memories and objects from the museum collections
relate the history of some of our most common games - both street
games and board games.
Among
the intriguing objects on display are marbles from Ancient Egypt
- and a beautiful cribbage board carved of whale tusk by the Inuit
and decorated with caribou and bison.
The
oldest objects in the exhibition will be two Ancient Egyptian
gaming pieces, dated to c1400 BC. One of the pieces is in the
shape of a cat! These may have been used for the board game Senet.
The
exhibition tells some of the fascinating stories of how games
have travelled around the world. Some have been carried in the
backpacks of soldiers or travellers, others in the memory of slaves.
We learn some games from parents or grandparents, others from
friends at school, or in the street.
Among
the games you can play in the museum will be the Roman game Tabula
(an early form of backgammon) and Mancala - a game well known
in African and Arab communities- and quite compulsive when you
start playing it.
The
exhibition will appeal to young and old. It is open throughout
the October break so hopefully lots of children will bring parents
and grandparents- and have some fun.
Silent
Drums Beat: an exhibition of world drums
18th July - 15 September 2003 Do
you think a museum is a quiet place? You may get a surprise if
you visit Marischal Museum this summer! Silent Drums Beat is an
exhibition of some of the spectacular drums from the museum's
collection. Many are over a hundred years old. They have drummed
for celebration, drummed for war; drummed to summon the people,
drummed for dancing. These ghost drums can no longer beat but
this is a far from silent exhibition - there is even a modern
drum to try.
Microbiology:
an exhibition in Marischal Museum 1st
July - 15th September 2003 The
Exhibition has been supported by Joel Ltd., the makers of the
scanning electron microscope.
Bacteria,
viruses and parasites. Although small, they have dramatic effects
on health. By using a Scanning Electron Microscope, medical scientists
in Aberdeen are able to look at detailed images of biological
material that cannot be seen through a normal microscope.
This
exhibition displays a small selection from the 10,000 images that
have been taken by the Biomedical scientists in the Department
of Medical Microbiology. They give some idea of the range of research
that is being carried out in the Faculty of Medicine and Medical
Sciences in the University of Aberdeen. The photographs have been
coloured to enhance the images.
Debbie
Marshall, Chief Biomedical Scientist, Department of Medical Microbiology
said, "When displaying these images I thought it would be
interesting to involve those researchers that I have worked with
on projects in the last two years to highlight their current research.
It has been a very interesting time for me to be involved in all
the varied work undertaken within the Faculty."
Neil
Curtis, Senior Curator, Marischal Museum said "The images
are both beautiful and disturbing as you can look at bacteria
living on a human tongue and a louse enlarged to hundreds of times
life size. It is also fascinating to see how a blot clot forms
and to discover some of the medical research taking place in the
University."
Walter
Scott (1771-1832): Poet, Editor, Novelist, Historian
An exhibition of original books and manuscripts from the Bernard
C. Lloyd Walter Scott Collection
12 May 2003 - 30 June 2003 What
can be known about the past? Walter Scott was a sceptic: he was
Scotland's greatest man of letters, yet recognised that he past
could not be contained in words.
This
exhibition illustrates the various ways in which Scott tried to
find the past - in artefacts, in the literature of past eras,
in archives and collections, in imaginative reconstructions of
the past in poetry and fiction and in formal histories.
This
exhibition has been mounted to mark the coming of this magnificent
collection to Aberdeen, where it enhances the University's superb
library holdings. Aberdeen is the world's centre for the study
of Walter Scott.
The
exhibition has been arranged by David Hewitt of the Walter Scott
Research Centre.