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Edited by Ian Russell and David Atkinson
Folk Song: Tradition, Revival, and Re-Creation is a major contribution to UK and international folk song studies at the start of the twenty-first century. It brings together 36 selected essays, which explore the revival movements, key men and women who made them happen, and some significant singers and songs.
The subjects covered range from ballad studies to folk-rock, from the engravings of Hogarth to the Manchester Runway protest, with differing theoretical and critical perspectives, including features on several of the prime movers – Sabine Baring-Gould, Frank Kidson, Lucy Broadwood, Annie Gilchrist, Gavin Greig, Maud Karpeles, Ruth Herbert Lewis, Annabel Morris Buchanan, Ewan MacColl, Moses Asch, Louise Manny, and Peter Kennedy.
Among the many issues tackled are: cultural politics, national identity, commercialisation, gender, mass media representation, adaptation and acculturation, fakelore, creativity, repertoire analysis, and singing style.
This is a fascinating and timely collection of new insights in the field of folk song, representing the exciting diversity of current research, and deserves to be widely read by scholars and folk revival participants alike.
Folk Song: Tradition, Revival, and Re-Creation book, £20.00, is available from the Online Store.
1. Introduction
Ian Russell
2. One hundred years of the Folk-Song Society
Vic Gammon
Reviving and re-creating folk traditions
3. The Ballad Society: a forgotten chapter in the history of English ballad
studies
Sigrid Rieuwerts
4. The Little Song-Smith: a printed folk song anthology and its reception
among Ingrian peasants, 1849–1900
Thomas A. Dubois
5. Folk song in Lithuania
Nijolė Sliužinskienėand Rimantas Sliužinskas
6. Compositional processes and the aesthetics of originality: reflections
on a ballad in a twentieth century Finnish opera
Tina K. Ramnarine
7. Transformations of Tradition in the Folkways Anthology
Edmund O’Reilly
8. Choosing the right folk: the appointment of ‘human cultural properties’
in Korea
Roald Maliangkay
9. Folk club or epic theatre: Brecht’s influence on the performance practice of Ewan MacColl Michael Verrier
10. British folk songs in popular music settings
Robert Burns
11. Ghosts of voices: English folk(-rock) musicians and the transmission
of traditional music
Britta Sweers
12. Revival: genuine or spurious?
David Atkinson
Those who made it happen
The men
13. The Telfer Manuscript: ballad and song collecting in the Northumbrian
Borders
John Wesley Barker
14. Sabine Baring-Gould and his old singing-men
Martin Graebe
15. Folk song and the ‘folk’: a relationship illuminated by Frank
Kidson’s Traditional Tunes
John Francmanis
16. ‘Dear Mr. Walker’ – the Letters of Gavin Greig to William
Walker of Aberdeen
Robert S. Thomson
17. Collectors of English-language songs for the Irish Folklore Commission,
1935–1970
Tom Munnelly
18. Roving Out: Peter Kennedy and the BBC Folk Music and Dialect Recording
Scheme, 1952–1957
E. David Gregory
The Women
19. Lucy Etheldred Broadwood: her scholarship and ours
Lewis Jones
20. Anne Geddes Gilchrist: an assessment of her contributions to folk song
scholarship
Catherine A. Shoupe
21. An ‘English’ lady among Welsh folk: Ruth Herbert Lewis and
the Welsh Folk-Song Society
E. Wyn James
22. Unnatural selection: Maud Karpeles’s Newfoundland field diaries
Martin Lovelace
23. Annabel Morris Buchanan and her folk song collection
Lyn Wolz
24. The life and legacy of a New Brunswick folk song collector
Margaret Steiner
Singers and Songs
25. A thematic reconsideration of the textual ancestors of ‘The Bitter
Withy’
Andrew King
26. ‘Mylecharaine’: a forgotten call to nationhood
Fenella Crowe Bazin
27. The ballad singer and seller depicted in the works of William Hogarth
Andrew C. Rouse
28. ‘The Brown Girl’ (Child 295B): a Baring-Gould concoction?
Steve Gardham
29. ‘Spencer the Rover’ - an old soldier?
Simon Furey
30. Joseph Taylor from Lincolnshire: a biography of a singer
Ruairidh Greig
31. Bell Duncan: ‘The greatest ballad singer of all time’?
Julia C. Bishop
32. Sam Howard and the east Norfolk singing tradition, 1919–1936
Christopher Heppa
33. A matriarch of song: Belle Stewart, ‘The Queen Amang the Heather’
Sheila Douglas
34. A study of tongch’ojesinging style in Korean narrative song,
p’ansori
Yeonok Jang
35. Clyde Covill: reconstructing a community tradition
Jennifer C. Post
36. Songs from under the Flightpath: environmental protest song in
context
Simon Heywood
Contributors
Bibliography
Index
Page last updated: Friday, 12-Nov-2010 16:35:10 GMT
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